hearts, candles, and other dainties have been promised if the desired
favour be granted, but if the Madonna be not tempted by these to
accede to the wishes of her worshipper, she must look out for herself.
Wax images can be laid out to melt in the sun, there to learn how
agreeable is a continued drought, statuettes can be stood in the
corner with their faces to the wall, a rival patron saint can be
pitched into the river, by the same hand which brings gifts. "See how
you like it!" Does not the primitive man create his god by looking
into himself? and Caliban with his "So he!" inaugurates theology.
Another Roman picture is afforded us by the lottery. It is to be
found, indeed, all over Italy, but we are only concerned with its
influence in Roman life, where it has always flourished, first under
the popes when a prelate presided to bless the opening of the lottery
and now under the State, for the Romans are born gamblers. Seventeen
millions a year are raised in this way out of the pockets of the
poorest of the poor. The excuse made is that as the people will gamble
the only safeguard against gigantic frauds on the gamblers is to make
the lottery a department of the State. Certainly it would be
absolutely impossible to trust to fair play if the choice of the
numbers depended on any private persons; even if they were honest, no
Italian would believe it. The "Book of the Art," with its rough
hideous drawings of the things represented by the lottery numbers--one
to ninety--is the only book which the unlettered Italian can read.
Every event national or domestic becomes the subject of play. You
"play" the assassination of the King or the death of the Pope, the
accident which has happened to your neighbour your master or your
mistress, and you play the death of your kinsfolk. In order to get the
money the people have recourse to the _monte di pieta_--the
pawnshop--and the women will pawn the mattress off the bed. Sometimes
the choice lies between the two chief pleasures of the Roman, eating
and the lottery, and it is the best proof of the fascination of the
latter that it is so often preferred to the joys of the table. In
every tiny village as in every great city throughout Italy there is a
_banco dell lotto_, and the winning numbers are exhibited over its
doors every Saturday. Five numbers--for example, 5, 9, 27, 36,
50--appear each week. This is called the _cinquina_. But you can win
the _ambo_ (two correct numbers), the _terno_ (the most usual of all),
or the _quaterna_. Not more than five numbers can be played, but if
you "plump" for the _cinquina_ you gain a big sum; or you can declare
your intention to play for all four possible combinations. In this
case you gain little if the _cinquina_ comes out. It is the same with
the _terno_, if you plump for it you gain much more. But the gain also
depends on the amount you put into the lottery, and any sum from six
_centimes_ can be played. When Pius IX. died a Roman jeweller won
40,000 scudi (L8000).
Public-domain text, read in full here on John Shaqi.
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