This may seem too grand an ideal for a man like Augustus Cæsar, who (as
I have said) was no hero, and who certainly was no philosopher. But it
is none the less true that he understood that “peace hath her victories
no less renowned than war”: and that his own conviction, based, perhaps,
on shrewd political reasonings, inspired his poets and historians to
hail a new age of peace and prosperity. In one way or another they all
fell in with his ideas. Their themes are the glory and beauty of Italy,
the greatness of Rome, the divine power which had given her the right to
rule the world, and the story of the way in which she had come to
exercise that right. But as Virgil is the greatest figure in the group,
so is his _Æneid_ the greatest work in which those ideas are
immortalised. The Roman Empire has vanished, the ancient city, which
rose in fresh magnificence under Augustus, has crumbled away; but the
_Æneid_ remains the one enduring monument of that age of new hope.
It is said that Augustus himself suggested to the poet the subject of
the _Æneid_. If so, it was characteristic of a man who used every chance
of extending his own fame and influence without forcing them on the
attention of his people. If a poem was to be written on the great theme
of the revival of Rome and Italy, Augustus himself could not of course
be the hero of it, nor even Julius: political and artistic feeling alike
forbade. But a hero it must have, and he must be placed, not in the
burning light of the politics of the day, but in the dim distance of the
past. Such a hero was found in the mythical ancestor of the Julian
family, Æneas, son of Venus and Anchises. A legend, familiar to educated
Romans, told how this Trojan hero, whose personality appears in Homer,
wandered over the seas after the fall of Troy, and landed at last in
Italy; how he subdued the wild tribes then dwelling in Latium, brought
peace and order and civilisation, and was under the hand of destiny the
founder of the great career of Rome. His son Iulus, whose name the Julii
believed themselves to bear, was in the legend the founder of the city
from which Rome herself was founded; and thus the family of the Cæsars,
the rescue of Italy from barbarism, and the foundation of the Eternal
City, might all be brought into connexion with the story of Æneas the
Trojan. Here, then, was the hero, the type of which the antitype was to
be found in Augustus.
Public-domain text, read in full here on John Shaqi.
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