Rome -- History -- To 510 B.C.; Romulus, King of Rome
In forming the papyrus into books it was customary to use a long sheet
or web of it, and roll it upon a stick, as is the custom in respect to
maps at the present day. The writing was in columns, each of which
formed a sort of page, the reader holding the ends of the roll in his
two hands, and reading at the part which was open between them. Of
course, as he advanced, he continually unrolled on one side, and
rolled up upon the other. Rolls of parchment were often made in the
same manner.
The term _volume_ used in respect to modern books, had its origin in
this ancient practice of writing upon long rolls. The modern practice
is certainly much to be preferred, though the ancient one was far less
inconvenient than might at first be supposed. The long sheet was
rolled upon a wooden billet, which gave to the volume a certain
firmness and solidity, and afforded it great protection. The ends of
this roller projected beyond the edges of the sheet, and were
terminated in knobs or bosses, which guarded in some measure the edges
of the papyrus or of the parchment. The whole volume was also inclosed
in a parchment case, on the outside of which the title of the work was
conspicuously recorded. Many of these ancient rolls have been found at
Herculaneum.
For ink, various colored liquids were used, generally black, but
sometimes red and sometimes green. The black ink was sometimes
manufactured from a species of lampblack or ivory black, such as is
often used in modern times for painting. Some specimens of the
inkstands which were used in ancient times have been found at
Herculaneum, and one of them contained ink, which though too thick to
flow readily from the pen, it was still possible to write with. It was
of about the consistence of oil.
These rolls of papyrus and parchment, however, were only used for
important writings which it was intended permanently to preserve. For
ordinary occasions tablets of wax and other similar materials were
used, upon which the writer traced the characters with the point of a
steel instrument called a _style_. The head of the style was smooth
and rounded, so that any words which the writer wished to erase might
be obliterated by smoothing over again, with it, the wax on which they
had been written.
Public-domain text, read in full here on John Shaqi.
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