Cousins -- Fiction; English fiction -- 19th century; Short stories, English; Villages -- England -- Fiction
Such was our Rector. Not reverent or discreet, you will say, in his
capacity of priest. No, but a kindly, genial old man; devoted to his
parishioners, if not to his duties; clever too, and companionable in
society, and inexhaustible to the boys of the parish in the matter of
marbles and gingerbread.
It is with affection that I recall him, for, in spite of his
eccentricities, and perhaps because of them, I loved him well.—_R.I.P._
Echoes from an Organ Loft
“Pale fingers moved upon the keys,
The ghost hands of past centuries.”
From Joseph’s flageolet to one of the finest organs in England—from the
scene of “our Rector’s” ministrations to a building that could have
swallowed up his church and his school room and all the house property in
his parish—was a startling transition for a boy of fourteen.
I wonder how often, during my first experience of a cathedral service, my
thoughts travelled back to the tiny hamlet in the west, with its ruined
chancel on which the Atlantic had spent its rage, and its few cottages
straggling on and up behind an avenue of elms, to where the new church,
safe in a sheltered paradise of its own, looks down compassionately upon
the wreckage of the past.
In times to come I got to know every nook and corner of the great organ
loft at K. It was built in those large minded days before architects had
conceived the fatal idea of economising space. Ascending by a broad
staircase that rose with the dignity of an inclined plane, you came out
upon a plateau, roomier and more comfortable than many a London flat.
The sanctum of the organist—indeed, the huge instrument itself—were
little more than incidents of the loft. There was a chamber for the wife
of the dean, and another chamber for the wife of the organist, together
with a library for the Church music; and still there was room in it for
blind man’s buff—when the choristers could get the chance.
The organ itself might have been a mile away—so little did you hear of
it. In this respect the loft resembled the deck of a battleship, where
the men who work the guns hear least of the explosion. Only a few
muttered growls from the big pipes that lined the walls on either side,
or burrowed in the caverns underneath, suggested the proximity of sound.
The crash of the full organ was delivered at a point far above your head,
somewhere among the shadowy outlines of the roof.
The space allotted to the dean’s wife on the other side of the organ was
less comfortable than ours, but far more interesting. The floor outside
her enclosure was broken by yawning chasms to give the great pipes
breathing room; and though they were of wood, and spoke, as wooden pipes
should speak, in hollow muffled tones, they must, I fancy, have confused
her devotions and raised a small hurricane about the nape of her neck.
Public-domain text, read in full here on John Shaqi.
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