Cousins -- Fiction; English fiction -- 19th century; Short stories, English; Villages -- England -- Fiction
One day I heard voices in the choir beneath. I knew, before I saw the
speakers reflected from the mirror in front of me, that they were two
limp figures in blue serge and coal-scuttle bonnets. The strident tones
were unmistakeable, the product, in so far as the human throat can
compass it, of a long and careful assimilation of the clash of the
cymbals.
“A rare fine buildin’, this,” said one, “and what a hinstrument! I only
wish we ’ad it in our place; draw a sight better than drums and cymbals,
wouldn’t it? And a deal noisier.”
“You’re right,” answered the other, “but, for all that, I wouldn’t
exchange with that lot to get it. They deans and chapters and canons,
and heaven knows what they calls theirselves, aye, and the bisshup
hisself, is that sunk in ignorance and self-conceit that they can’t see
the right way; no, nor never will.”
Occasionally, but very rarely, matters went wrong in our own department.
The water that fed the hydraulic gear failed, or was cut off at the main,
and the organ “went out” in the middle of an anthem. One afternoon in
November it clouded over so suddenly that we could hardly see our faces
in the organ loft. Worse luck still, the matches were damp, and till I
could be back with some more, Dr. H. had to guess at the anthem as best
he could. I am not musician enough to know how he surmounted the
difficulty, but I suspect that the choir that day must have been treated
to an amount of improvisation to which they were wholly unaccustomed from
an organist who, as a rule, played what he had to play, and rarely
indulged in vagaries.
But our worst disaster was of earlier date. Bildad the Shuhite blew the
organ. He had received that name because he cleaned shoes in a corner of
the Close. It was in prehistoric days before hydraulic gear was dreamed
of in connexion with the organ. As luck would have it, Bildad fell sick,
and had to supply a deputy at the last moment. Dr. H. studied the man
carefully, mistrusting, I think, his intelligence. But his answers were
satisfactory, though I thought with the Doctor that he protested too
much. Anyhow, the service was due, and we had no time to waste on our
fears. The singing began, but the organ was irresponsive, and, hurrying
to the back of the loft, I found our deputy-blower contemplating with
blank stolidity the mechanism at his command, and pleading with an
injured air, “Sir, I am a’ waitin’ for you to begin!”
One day I was laboriously extracting discords from the great instrument
with Dr. H. at my elbow, when a gentle voice at our side asked for
permission to try the instrument. What a delight it was, after the
horrors I had been perpetrating, to see the long fingers charm out the
melody, till they drifted at last into the chords of Chopin’s great
march. Surely, I thought, the composer must hear and welcome such a
perfect realisation of his wondrous dream.
Public-domain text, read in full here on John Shaqi.
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