I left the road at a point where a low bank started across the marsh like a long protecting arm reaching out around the hay-meadows, dragging them away from the grasping river, and gathering them out of the vast undrained tract of coarse sedges, to hold them to the upland. Passing along the bank until beyond the weeds and scrub of the higher borders, I stood with the sky-bound, bay-bound green beneath my feet. Far across, with sails gleaming white against the sea of sedge, was a schooner, beating slowly up the river. Laying my course by her, I began to beat slowly out into the marsh through the heavy sea of low, matted hay-grass. There is no fresh-water meadow, no inland plain, no prairie with this rainy, misty, early morning freshness so constant on the marsh; no other reach of green so green, so a-glitter with seas of briny dew, so regularly, unfailingly fed: Look how the grace of the sea doth go About and about through the intricate channels that flow Here and there, Everywhere, Till his waters have flooded the uttermost creeks and the low-lying lanes, And the marsh is meshed with a million veins! I imagine a Western wheat-field, half-way to head, could look, in the dew of morning, somewhat like a salt-marsh. It certainly would have at times the purple-distance haze, that atmosphere of the sea which hangs across the marsh. The two might resemble each other as two pictures of the same theme, upon the same scale, one framed and hung, the other not. It is the framing, the setting of the marsh that gives it character, variety, tone, and its touch of mystery. For the marsh reaches back to the higher lands of fences, fields of corn, and ragged forest blurs against the hazy horizon; it reaches down to the river of the reedy flats, coiled like a serpent through the green; it reaches away to the sky where the clouds anchor, where the moon rises, where the stars, like far-off lighthouses, gleam along the edge; and it reaches out to the bay, and on, beyond the white surf-line of meeting, on, beyond the line where the bay's blue and the sky's blue touch, on, far on. Here meet land and river, sky and sea; here they mingle and make the marsh. A prairie rolls and billows; the marsh lies still, lies as even as a sleeping sea. Yet what moods! What changes! What constant variety of detail everywhere! In The Marshes of Glynn there was A league and a league of marsh-grass, waist-high, broad in the blade, Green, and all of a height, and unflecked with a light or a shade,