Fully a minute we eyed each other. Then I took a step forward. The
glittering head rose higher. Off in the ferns there beat a warning
tattoo--the loud whir of the snake's tail against a skunk-cabbage leaf.
In my hand was a slender dogwood switch that I had been poking into the
holes of the digger-wasps up the hillside. If one thing more than another
will turn a snake tail to in a hurry it is the song of a switch. Expecting
to see this overbold fellow jump out of his new skin and lunge off into
the swale, I leaned forward and made the stick sing under his nose. But he
did not jump or budge. He only bent back out of range, swayed from side to
side, and drew more of his black length out into the low grass to better
his position.
The lidless eyes and scale-cased face of a snake might seem incapable of
more than one set expression. Can hate and fear show there? They
certainly can, at least to my imagination. If ever hate and fear mantled a
face, they did this one in the grass. The sound of the switch only
maddened the creature. He had too long dictated terms in this part of the
swale to crawl aside for me.
Nor would I give way to him. But I ceased switching, drew back a step, and
looked at him with more respect than I ever before showed a snake.
The curved neck straightened at that, the glinting head swayed forward,
and shivering through me as the swish of a stick never shivered through a
snake, sounded that unearthly hissing whistle. For a second--for just the
fraction of a second that it takes to jump--I was, not scared, but
shocked; and I slipped on something underfoot. In three directions I
wallowed the ferns before I got to my feet to watch the snake again, and
by that time the snake was gone.
I found myself somewhat muddy and breathing a little hard; but I was not
wholly chagrined. I had heard and seen a black-snake whistle. I had never
even known of the habit before.
Since then I have seen one other snake do it, and I think I have heard
the sound three or four times. It is almost indescribable. The jaws were
closed as it was made, not even the throat moving, that I could see. The
air seemed to be blown violently through the nostrils, though sounding as
if driven through the teeth--a shrilling hiss, fine and piercing, which
one not so much hears as feels, crisping cold along his nerves.
Public-domain text, read in full here on John Shaqi.
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