"You may save yourself the trouble!" she flashed; and then laughed out
merrily. "Let us not be so absurd! We are quarreling like two
school-children over an apple. It's really a pleasure to meet you in
this unconventional fashion, but we must be amiable. Our affairs will
not be settled by words--I am sure of that. I must beg of you, the
next time you come forth at night, to wear your cloak and dagger. The
stage-setting is fair enough; and the players should dress their parts
becomingly. I am already named Rosalind--at night; Aunt Pat we will
call the Duchess in exile; and we were speaking a moment ago of the
Fool. Well, yes; there was a Fool."
"I might take the part myself, if Gillespie were not already cast for
it."
"Gillespie?" she said wonderingly; then added at once, as though memory
had prompted her: "To be sure there is Gillespie."
"There is certainly Gillespie. Perhaps you would liefer call him
Orlando?" I ventured.
"Let me see," she pondered, bending her head; then: "'O, that's a brave
man! he writes brave verses, speaks brave words, swears brave oaths and
breaks them bravely, quite traverse, athwart the heart of his lover; as
a puisny tilter, that spurs his horse but on one side, breaks his staff
like a noble goose; but all's brave that youth mounts and folly
guides.'"
"That is Celia's speech, but well rendered. Let us consider that you
are Rosalind, Celia, Viola and Ariel all in one. And I shall be those
immortal villains of old tragedy--first, second and third murtherer;
or, if it suit you better, let me be Iago for honesty; Othello for
great adventures; Hamlet for gloom; Shylock for relentlessness, and
Romeo for love-sickness."
Again she bent her head; then drawing a little away and clasping her
hands, she quoted: "'Come, woo me, woo me; for now I am in a holiday
humour and like enough to consent. What would you say to me now, an I
were your very, very Rosalind?'"
I stammered a moment, dimly recalling Orlando's reply in the play. I
did not know whether she were daring me; and this was certainly not the
girl's mood as we had met at St. Agatha's. My heart leaped and the
blood tingled in my finger-tips as memory searched out the
long-forgotten scene; and suddenly I threw at her the line:
"'How if the kiss be denied?'"
She shrugged her shoulders.
"The rehearsal has gone far enough. Let us come back to earth again."
But this, somehow, was not so easy.
Public-domain text, read in full here on John Shaqi.
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