If Eustace took no interest in Rose, why should Rose take interest in him? Logically, it is the older who should set the example: the more mature, the person who is responsible for the child’s existence. I doubt very much if there is any natural affinity between parents and children: pride of ownership on the one side and dependence on the other leads to the creation of a bond. Remove babies at birth and do not let them meet their mothers again until they are grown up, and (in spite of the romantic and sentimental novelists) I doubt if there would be any natural recognition, any calling of the deeps. Vera, Rose went on, had done a little work—not much—and then they had gone out to visit other studios, where Vera’s friends lived. I could have no idea how jolly they all were. People talked about the jealousy of artists, but for her part she didn’t believe a word of it. There they were, all so keen and simple, wearing the most delightful old clothes, pleased to see each other, pleased to praise each other’s work—genuinely, too—absolutely genuinely—and then directly it was too dark to go on, or they didn’t feel in the mood, off they went to dinner at one of the Soho places, and then they either talked about painting, ever so interestingly, or danced or sang. It was the most wonderful life. But I mustn’t think for a moment that they were slackers. Not a bit of it. As a maffact, they worked frightfully hard. But artists, I must remember, don’t divide up their lives into work and play as other people do—clerks and merchants and lawyers and so on: they mix the two together. That’s what makes them so delightful. “They all have such charming things,” she said, looking round at my furniture—Victorian mostly, not old enough to be beautiful—with a kind of disdain. “No matter how poor they are, they always seem to have money for ‘bits.’ They’re always on the look-out for them, and they have such wonderful eyes. They can see things under inches of dust. Going about among the old furniture and old curiosity shops with Vera and her friends was an education, and such a lark too! You and I must go over to Lowcester, Dombeen, and rout about in the old shops there. I know so much more about things than I did a month ago. I know the difference between Heppelwhite and Chippendale and Spode and Crown Derby. And I mean to learn it all.” She had been to the National Gallery three times, and to the Tate, and to several little exhibitions, and to the Café Royal one evening, and to two plays. But the most terrific thing of all was this—she had seen John. “John who?” I asked.