England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Physicians -- Fiction; Single men -- Fiction
“Not John anything,” she replied, shocked at my ignorance. “It’s his
last name, but no one ever calls him anything else—John the artist: much
the strongest painter we’ve got. Vera asked him to come and see my
things, and he came and he likes them. He says I ought to make a real
name if I study properly and go to a life class and devote myself to
drawing for a while. It’s my drawing that’s weak, he says.”
It was then that Rose suddenly asked, after a brief silence, “How much
money have I got?”
I told her that she had no money at all, unless her father chose to give
her any. He reimbursed me more or less for what she cost me, and her
school accounts and so forth had gone to him. It was all very irregular;
of course she ought to have an allowance by this time. She was eighteen.
Her face lost its radiance. “Must I ask him?” she said.
“It depends on what you want it for,” I answered.
“I want to live in Chelsea,” she said, “and really learn to paint.”
“O!” I said. “If it had been for anything else I might have been able to
contribute, but I can’t for that. That is too drastic. You must ask
your father. Besides,” I said, “I could hardly bring myself to finance a
scheme which leaves me so high and dry.”
“Poor Dombeen!” she said. “But you’d soon get used to being alone. And
I’d come down often for the week-end. As a maffact, you’d hardly miss
me.”
“Train up a child and away she goes,” I quoted.
“But you wouldn’t have me not be independent?” she asked.
“No,” I said. “Everything is all right: just as it should be. An old
man must expect to lose a young girl just when she is most companionable.
But you must concede him a little melancholy. After all, it is a
compliment to you, so concede it purely in that light. It’s as proper
for me to regret your going as for you to want to go.”
“You dear old thing!” she said. “I hate to leave you, but what should
one do? If you absolutely needed me, of course . . . but you don’t.
You’re strong, you go about, you have your prints and your gardening.”
“And even if I hadn’t,” I said, “I should not allow you to stay. If I am
to collapse, it shall not be an artist on the threshold of life with a
passion to express herself in oils who shall bring my beef-tea. That
would be too unfair. But you must understand that nothing can be done
until your father consents.”
“I’ll write to him to-night,” she said. “Unless you will?”
“No,” I replied firmly. “I’ll go a long way to help you, but I won’t
sign my own death warrant. No seaman beseeches to be marooned.”
* * * * *
Eustace replied that he thought he might be willing, but it would be well
to discuss the matter properly. Would she stay with him for a few days
and bring some of her work with her.
“How can I show it to him?” she asked.
“You must,” I said. “After all, he is your father.”
“But it’s so—so—personal,” she said.
* * * * *
Public-domain text, read in full here on John Shaqi.
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