In the excitement of her new life she did not miss her mother with any poignancy, and seemed to be satisfied with the explanation of her absence that she had gone across the sea. This was true. Ronnie had left the army and he and Rose were on their way to the Malay States, where he was to grow rubber. As for Eustace, the child never mentioned him at all. He had been one of those fathers who are seen only at breakfast and on Sundays. Until a nurse was found—the Wilton Place nurse having refused to live in the country so far from the Knightsbridge barracks—Rose had a bed in my dressing-room. One of her timidities was concerned with moths. For some odd reason those foolish gentle insects, who have never been known to harm anyone but themselves, terrified her, and often and often she would wake me in the night with the cry, “Dombeen, there’s a mawf in the room!” or “Come quick, Dombeen, there’s a little mawf somewhere.” She grew out of her fears, of course, and in time occupied a more distant apartment; but for a long while I rarely got through the night without some such call—the little monkey even employing it as an appeal when there was no danger, as the boy called “Wolf! Wolf!” in the fable. But no matter how suspicious I may have been, I always went. “Dombeen, Dombeen, there’s a mawf in the room”—how I wish I could hear that now! “Little Mawf” became one of my names for her. * * * * * It was with the new Rose as with the old: my patients were intensely interested in her. Not many, however, were the same as those who had been so solicitous about her mother. Some had left the neighbourhood; some preferred my assistant; some were dead. Mrs. O’Gorman was, I think, Rose’s favourite, in spite of the years between them—the old lady now nearing the eighties and the child not yet six. Seventy years is a big dividing gulf, and yet when they were together there was little sign of it, such was the adaptability of both. The first time that I took Rose to tea, Mrs. O’Gorman gave her two presents—a fearsome agate brooch (she had an early Victorian taste in ornaments) and a paint-box that had been her companion on sketching rambles when she was active. It was one of the old-fashioned boxes, with the colours in cakes and a drawer underneath with a porcelain palette in it and many fascinating accessories. The agate might as well have been thrown into the river, but the paint-box was a treasure beyond price, and it played a great part in Rose’s destiny, for it turned her thoughts to art, and some of her grandfather’s skill soon began to manifest itself.