Rose D'Albret; or, Troublous Times.James, G. P. R. (George Payne Rainsford)
History
Rose D'Albret; or, Troublous Times.
James, G. P. R. (George Payne Rainsford)
France -- History -- Henry IV, 1589-1610 -- Fiction
By the reader's good leave, we must go up for a moment or two to the
ramparts of the Château of Marzay, and introduce him to the party
there, before the new comers arrive. Nay, more, we must return for
nearly an hour, and listen to the conversation which was taking place
while all the events we have just narrated were occurring in the wood
that lay beneath the eyes of those upon the castle walls, though it
must be premised, that those events had been completely hidden from
their sight by the thin veil of forest boughs, as the various turns of
fate, upon which the fortunes of our whole future life depend, are
often going on close by us, concealed from our gaze, whether anxious
or unconscious, by the ripple of an idle current of trifling things
that affect us not permanently in any way.
The Baron de Montigni, though five or six years had elapsed since he
last saw any of the party there assembled, had, by his previous
knowledge of the circumstances, divined aright the names of the
persons of which it was composed. About an hour and a half before
sunset, a very beautiful girl of eighteen or nineteen had come forth
upon the walls for her afternoon walk, having on one hand a gentleman
dressed in the height of the extravagant fashions of the day, with a
high starched ruff, or _fraise_, as it was called, which made his head
look like that of John the Baptist in a charger, and with a slashed
and laced pourpoint of yellow velvet, stiffly embroidered with silver.
His shoes were of white satin, enriched with a rosette of yellow; and
in his girdle hung a small dagger knife, with a fretted hilt of gold,
while far behind hung his sword, as if put out of reach of his hand
lest he should use it too frequently. His beard was pointed, and
neatly trimmed; his hair curled, and turned back from his face; and on
the top of his head he wore a small velvet toque, with a single long
feather. In person he was tall, and not ungraceful, though somewhat
stiff; and his features were all good, though there was certainly
something in the disposition of them which gave a sinister and
unpleasant expression to his countenance. Perhaps this effect was
produced by the closeness of the eyes and the narrowness of the brows,
which produced a shrewd and confined look, though his face might
otherwise have been prepossessing.
Though dressed with such scrupulous care, his air and manner was not
that of a fop. It was not easy and unrestrained, indeed, but it was
bold and confident; and if one might judge--as we almost all do
judge--from manner and appearance, pride, rather than vanity, was his
prevailing folly; shrewd ambition, rather than levity, the
characteristic vice. Yet, as we shall see, he was not without
lightness, too; but it was often used in those days as a means to an
end, and covered too frequently intense selfishness under an air of
idle indifference.
Public-domain text, read in full here on John Shaqi.
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