"Florrie," said he, "what if you should put on your hat and take the
train with me?"
"My stars, Billy! Run away?"
"Come up to town. We'd scare up some kind of a theatre this evening, and
in the morning you could see Gilbert and Wall."
"And 'fess? Not by a great sight! But I'd like to go, Billy. Leave out
Gilbert and Wall, make it you and me, and I'm your man."
"Come along."
"Worry Electra to death!" she proffered brightly. "I'll do it, Billy.
Here's the key of my little flat, right here on the writing-desk. I
never stayed there alone, but there's no reason why I shouldn't. You can
come round in the morning, to see if I've had a fit, and if I haven't
we'll go to breakfast. But we must take the three o'clock. She'll be
back by four."
She got her bonnet and her handbag, and when Electra did come back at
four, her grandmother had flown, leaving a note behind.
III
The next morning Electra, dressed in white and rather pale at the lips,
walked about the garden with a pretense of trimming a shrub here and
there and steadying a flower. But she was waiting for her lover. She had
expected him before. The ten o'clock would bring him, and he would come
straight to her without stopping to see his grandmother and Osmond. But
time went by, and she was nervously alert to the fact that he might not
have come. Even Electra, who talked of poise and strove for it almost in
her sleep, felt a little shaken at the deferred prospect of seeing him.
It was after those five years, and his letters, voluminous as they were,
had not told all. Especially had they omitted to say of late whether he
meant to return to France when he should be able to take her with him.
To see a lover after such a lapse was an experience not unconnected with
a possibility of surprise in herself as well as in him. She had hardly,
even at the first, explicitly stated that she loved him. She had only
recognized his privilege of loving her. But now she had put on a white
dress, to meet him, and the garden was, in a sense, a protection to her.
The diversity of its flowery paths seemed like a shade out of the glare
of a defined relation. At last there was a step and he was coming. She
forced herself to look at him and judge him as he came. He had scarcely
changed, except, perhaps from his hurrying gait and forward bend, that
he was more eager. There was the tall figure, the loose tie floating
back, the low collar and straight black hair--the face with its aquiline
curve and the wide sweet mouth, the eager dark eyes--he looked exactly
like the man who had painted the great portrait of the year. Then he was
close to her, and both her hands were in his. He lifted them quickly to
his lips, one and then the other.
"Electra!" he said. It was the same voice, the slight eager hesitancy in
it like the beginning of a stammer.
Electra, to her surprise, said an inconsequent thing. It betrayed how
she was moved.
"Grandmother is away. She has gone to town."
Public-domain text, read in full here on John Shaqi.
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