When, irreproachably neat and even exquisite in dress, he gave a Napoleonic glance at his array of glove-boxes to see if the female assistant had put them in proper order for the day; when, with that wonderful eye for detail that had wafted him to his present height of power, he pounced upon the powder-sprinklers and found them, as he expected, empty; when, with masterly judgment, he had made up and ticketed a basket of misfits and odd sizes to attract the eyes of women who were their human counterparts, he felt himself bursting with the pride and pomp of circumstance. His cambric handkerchief adjusted in his coat with the monogram corner well displayed, a last touch to the carefully trained lock on his forehead, and he was ready for his customers. "Six, did you say, miss? I should have thought five and three quarters--Attend to that gentleman, Miss Dix, please; I am very busy. "Six-and-a-half gray suede? Here they are, an exquisite shade. Shall I try them on? The right hand, if you will. Perhaps you'd better remove your elegant ring; I shouldn't like to have anything catch in the setting." "Miss Dix! Six-and-a-half black glace--upper shelf, third box--for this lady. She's in a hurry. We shall see you often after this, I hope, madam." "No; we don't keep silk or lisle gloves. We have no call for them; our customers prefer kid." Oh, but he was in his element, was Claude Merrill; though the glamour that surrounded him in the minds of the Edgewood girls did not emanate wholly from his finicky little person: something of it was the glamour that belonged to Boston,--remote, fashionable, gay, rich, almost inaccessible Boston, which none could see without the expenditure of five or six dollars in railway fare, with the added extravagance of a night in a hotel, if one would explore it thoroughly and come home possessed of all its illimitable treasures of wisdom and experience. When Claude came to Edgewood for a Sunday, or to spend a vacation with his aunt, he brought with him something of the magic of a metropolis. Suddenly, to Rose's eye, Stephen looked larger and clumsier, his shoes were not the proper sort, his clothes were ordinary, his neckties were years behind the fashion. Stephen's dancing, compared with Claude's, was as the deliberate motion of an ox to the hopping of a neat little robin. When Claude took a girl's hand in the "grand right-and-left," it was as if he were about to try on a delicate glove; the manner in which he "held his lady" in the polka or schottische made her seem a queen. Mite Shapley was so affected by it that when Rufus attempted to encircle her for the mazurka she exclaimed, "Don't act as if you were spearing logs, Rufus!"