Aspasia drew a deep sigh of relief.
"Mary thinks she can have dinner in an hour," she said. "Oh Lord, what
a piece of business! And—and you’ll come down, won’t you?"
She rubbed her coaxing cheek against her aunt’s shoulder.
"Yes. I’ll come down."
"I’ll dress you," said Baby, her light heart rising buoyantly under what
seemed such clearing skies. She nodded. "Oh, dear, I’ve such a
desperate lot of things to do! There’s the wine." She slapped her
forehead. "I’d forgotten the wine." And the door closed violently
behind her tempestuous petticoat. As a companion to a neurasthenic
patient Miss Cuningham no doubt had her weak points.
* * * * *
Rosamond sank slowly back in her chair; her hand fell inertly before
her.
When the girl returned after an hour’s exceeding activity the elder
woman’s attitude had not altered by a fraction. But the exigency of
time and social requirements left Aspasia no leisure now to linger over
doubts and fears. Her own cheeks were pink from rapid ablutions; her
crisp hair stood out more vigorously than ever after determined
manipulation. She pealed a bell for Jani, and fell herself upon the
golden mass covering Lady Gerardine’s shoulders, her chattering tongue
in full swing:
"Of course, the poor wretches are in their motor garments. (You never
saw anything like Runkle in a pony skin and goggles. He’s more motist
than the chauffeur.) So I’ve only just stuck on a blouse, you see. But
I’ve determined you shall be beautiful in a tea-gown. Lord, I’d no idea
Lady Aspasia was so tremendous! I want you simply to be beautiful!"
Deft hands twisted and coiled.
"It was Runkle, you know, who broke the motor: he insisted on driving
and jammed them sideways in a gate. He’s awfully pleased with himself.
It’s Lady Aspasia’s motor. She calls Runkle, Arty: what do you think of
that? Ah, here’s Jani. Which shall it be—the white and gold? I love
the white and gold, Aunt Rosamond."
"Black—black," said Rosamond.
*CHAPTER XVI*
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account