Sir Arthur came down the shallow oaken stairs, after his necessarily
exiguous toilet, a prey to distinct dudgeon. He had been whirled away
upon this expedition by the impetuosity of Lady Aspasia, somewhat
against his will in the first place. That he, Sir Arthur Gerardine,
should have to come in quest of his wife, instead of the latter
obediently hieing her at his summons, was a breach of the world’s
decorum as he understood it personally. That his wife should have a
headache and have partaken of phenacetin coincidently upon his arrival;
that she should evidently (and by a thousand tokens the unwelcome fact
was forced upon him) be still in her uncomfortable hyperæsthetic
neurasthenic state of health was a want of consideration for his
feelings of which no dutiful spouse should have been guilty; and,
moreover, this condition of things was woefully destructive of all
comfort in the connubial state. He positively dared not insist upon
seeing her at once. Absurd as the situation was, he must await her
pleasure; for, with Lady Aspasia present, the danger of fainting fits or
hysterics could not be risked. Not that he wanted to blame Rosamond
unduly, poor thing; but it really was not what he had a right to expect.
These natural feelings of displeasure were heightened by the trifling
deprivations caused by his stranded condition. He could not feel his
usual superb and superior self coming down to dinner in a serge suit,
his feet in heavy outdoor shoes. Then, the poor surroundings, the very
feeling of the noisy oak boards instead of a pile carpet under these
same objectionable soles, offended him at every step. He was ashamed
that Lady Aspasia should find such a "pokey" place. It was by no means a
fit habitation for the wife of Sir Arthur Gerardine.
He had hurried down before the others, impelled by his restless spirit.
The hall was empty. He took a bustling survey. How faded was the strip
of Turkey carpet! God bless his soul, how worm-eaten were those square
oak chests, presses, and cupboards, and how clumsy—only fit for a
cottage! And that portrait, just under the lamp—poor English, he
supposed? A regular daub, anyhow; why, he could see the brush marks! He
wondered Rosamond could have it up.
Public-domain text, read in full here on John Shaqi.
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