Lady Aspasia and M. Châtelard were seated one on each side of the
fireplace, fairly monopolising the benefits of the situation. Although
the thought of Sir Arthur, upstairs with his young wife—no doubt coaxing
the insolent beauty into a better temper—was no very agreeable one to
her, Lady Aspasia, with the good-humoured, material philosophy of her
kind, made the best of what fate left her. She toasted her well-formed,
well-shod foot at the blaze; found that the old-fashioned winged
armchair (with the help of a cushion) was as comfortable as any modern
copy if not more so, and that M. Châtelard was undoubtedly an
entertaining companion. He had seen curious things on his travels, and
he could tell of them with a French spice. By a series of jerks the two
drew ever closer together; finally blocking the hearth. Their voices
were lowered by imperceptible degrees; their heads inclined towards each
other. Lady Aspasia’s laugh rang loud and often; and presently, by a
tacit agreement in which the conversation gained enormously, each
relapsed into the native tongue.
"Upon my word," said Lady Aspasia to herself; "I’ll send in his name for
my royal party."
M. Châtelard, pouring forth a whispered flow of language, with a pause
on the delicate point, and a quiet chuckle after the ready listener had
had time to seize it and ring her hearty, unreserved tribute of
appreciation, was privately making little notes for future publication,
with all the traveller’s joy of discovery. "Et il y en a encore qui
croient que les Anglaises sont guindées! Un esprit tout
Rabelaisien—cette dame! Allons, l’age Victorien est bien mort et
enterré!"
Miss Aspasia, who some time back had been told, with a flap of Lady
Aspasia’s hand, "not to listen, little girl," sat, highly disapproving,
at the further end of the room. Bethune, whose existence the great lady
now elected to ignore, had taken a chair at a little distance from the
girl. A monosyllabic conversation began between them and dropped. He
asked her for some music, and she tartly refused with a reproachful
look. She wondered at him. Did he not know her aunt’s head was bad?
He didn’t know? Well, he might have seen that she was ill! To this he
made no answer, and thereafter they spoke no more. The man had a talent
for taciturnity, but the effort of Baby’s silence seemed to bristle.
She sat very erect. Her mouth pursed, her nostrils dilated, her eyes
widely opened, her arched eyebrows more arched than ever. The tittering,
the whispering, the laughter, the meaning wriggles of the two backs as
they leant towards each other before the hearth, irritated her beyond
endurance.
"M. Châtelard," she suddenly cried, in fluent French, with her _enfant
terrible_ directness, "do tell me—I don’t want to be rude; but why do
you cut your hair so close to your head? Isn’t it very cold this
weather?"
Public-domain text, read in full here on John Shaqi.
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