The town below hung like a great rose jewel, scintillating, palpitating,
in a heat unusual for the autumn of Northern India. Out of the glare,
the colour, the movement, the noise; out of the throng of smells—spice,
scent, garlic, the indescribable breath of the East—into the dim cool
room; it was like stepping from India into England! And by the tug at
his heart-strings he might have analysed (had he been of those that
analyse) that, after all, the old home was nearest and dearest still;
might have realised that his content beneath the scorching suns, amid
the blinding snows of his adopted country, arose after all but of his
deep filial love of, and pride in, the distant English isle.
He put down his bat and looked round: not a hint of tropical colour, not
a touch of exotic fancy, of luxuriant oriental art anywhere; but the
green and white and rosebud of chintz, the spindle-legged elegance of
Chippendale, the soft note of Chelsea china, the cool greys and whites
of Wedgwood. From the very flower-bowl a fastidious hand had excluded
all but those delicate blossoms our paler sunshine nourishes. Some such
room, dignified with the consciousness of a rigid selection, reticent to
primness in its simple yet distinguished art, fragrant with the
potpourri of English gardens, fragrant too with memories of generations
of wholesome English gentlefolks, you may meet with any day in some old
manor-house of the shires. To transport the complete illusion to the
heart of India, Bethune knew well must have cost more labour and money
than if the neighbouring palaces had been ransacked for their treasures.
It was obvious, too, that the fancy here reigning supreme was that of
one who looked upon her sojourn under these splendid skies with the eyes
of an unresigned exile.
"The wife of the Lieutenant-Governor can evidently gratify every whim,"
he said to himself, bitterly enough, the while he still inhaled the
fragrance of home with an unconscious yearning.
In the distance the tinkle of a piano seemed to add a last touch to the
illusion. In India one so seldom hears a piano touched during the hot
hours. And scales, too—it was fantastic!
Suddenly the music ceased, if music it could be called. There was a
flying step without. The door was thrown open. Raymond Bethune turned
quickly, a certain hardness gathering in his eyes. Their expression
changed, however, when he beheld the newcomer. A young, very young
girl, hardly eighteen perhaps, of the plump type of immaturity;
something indeed of a cherubic babyhood still lurking in the round face,
in the buxom little figure, and in the rebellious aureole of bronze hair
rising from a very pink forehead. It was evidently the energetic
musician.
She came in, examining one finger of her right hand; and, without
looking at him, began to speak with severity:
Public-domain text, read in full here on John Shaqi.
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