This success was not achieved without raising some jealousy. Mr. Buchanan, under the pseudonym of "Thomas Maitland" rushed into print with the damning essay that appeared in the _Contemporary Review_ for October 1871, under the title "The Fleshly School of Poetry." This attack was repeated by the same writer in a pamphlet. Rossetti in ill health and suffering from nervous fancies, considered that there was a conspiracy against him, a view that, had his health been stronger, he would not perhaps have adopted. The publication of the article aggravated his insomnia. Dr. Gordon Hake offered him his house at Roehampton in order to procure a change for the sufferer, who either by accident or of set purpose had taken the contents of a phial of laudanum, and lay for two days between life and death. Prompt treatment, and his strong constitution helped recovery. He was taken to Scotland where he resumed work on a replica of "Beata Beatrix." Out-of-door exercise, early hours, and absence of worries, helped a great deal to bring about his partial recovery. In September 1872 he left Scotland and went to Kelmscott where he shared a fine Elizabethan manor house with William Morris. His work during 1872-1874 consisted mostly in repainting many of his earlier pictures. He worked again on "Lilith," "Beloved," "Monna Vanna," and others. In July 1874 he left Kelmscott and came back to London, never to return to the quiet manor house, which from this time was in possession of Morris alone. Besides retouching his earlier work during the time of his stay at Kelmscott, Rossetti started a number of new canvases, and made a certain number of studies for use in future work. Among them are: "Rosa Triplex," three heads from the same sitter, Miss May Morris. This drawing is one of four or five versions. A portrait in red chalk on grey-green paper of Mrs. W. J. Stillman, "La Donna de la Fiamma," and "Silence," probably studies for pictures never painted, the little head of a lady holding a small branch of rose-leaves called "Rose-leaf." "Mariana," an oil painting, its title taken from a scene of "Measure for Measure," and "A Lady with a Fan," being a portrait of Mrs. Schott, were all prepared about this time. He also started the first studies for his big picture, "Dante's Dream," among them a study from Mrs. Morris for the head of the dead Beatrice, a head of Dante, and studies for the two maidens holding the pall. "Troy Town," after his own ballad, and "The Death of Lady Macbeth," are two designs for pictures never painted. "Pandora" was completed in 1871. "Water Willow," a portrait of Mrs. Morris is specially interesting because the river landscape behind represents Kelmscott. A coloured chalk study for that picture exists, the only difference between the portrait and the study being that the background of the latter represents a river without the view of Kelmscott. The "Dante's Dream" begun in 1870 was finished towards the end of 1871.