"She's the purtiest girl ye ever set eyes on," says Mrs. Reilly, with
enthusiasm.
"I'm glad of _that_; I can't bear ugly people," says Monica.
"Faix, then, there's a bad time before ye wid the ould ladies," mutters
Mrs. Reilly, _sotto voce_, gathering up her cloak and stepping onwards.
She is a remarkably handsome woman herself, and so may safely deplore
the want of beauty in her betters.
Monica, turning aside, steps on a high bank and looks down towards the
village. Through the trees she can see the spire of the old cathedral
rising heavenwards. Though Rossmoyne is but a village, it still can
boast its cathedral, an ancient edifice, uncouth and unlovely, but yet
one of the oldest places of worship in Ireland.
Most of my readers would no doubt laugh it to scorn, but we who belong
to it reverence it, and point out with pride to passers by the few
quaint marks and tokens that link it to a bygone age.
There is a nave, broad and deep, comprising more than a third of the
whole building, with its old broken stone pavement, and high up, carven
upon one of its walls the head of St. Faughnan, its patron saint,--a
hideous saint, indeed, if he resembled that ancient carving. How often
have I gazed upon his unlovely visage, and wondered in my childish
fashion why the grace that comes from so divine an origin had not the
power to render his servant's face more beautiful!
In these later years they have improved (?) and modernized the old
structure. A stone pulpit, huge and clumsy, erected by subscription to
the memory of some elderly inhabitant, stands like a misshapen blot
before the altar rails; a window, too broad for its length, and
generally out of proportion, throws too much light upon the dinginess
within; the general character of the ugly old place has lost something,
but assuredly gained nothing, by these innovations. It is hard to put "a
piece of new cloth on an old garment" successfully.
The village itself stands upon a high hill; the ocean lies at its feet.
From Moyne House one can see the shimmer of the great Atlantic as it
dances beneath the sunbeams or lashes itself into furious foam under the
touch of the north wind. The coastguard station, too, stands out,
brilliant in its whitewash, a gleaming spot upon the landscape.
To the left of the station lies Ounahincha,--a long, deep line of
sea-beach that would make its fortune as a bathing place under happier
auspices and in some more appreciated clime.
Monica, looking down from her height, takes in all the beauties of the
landscape that surround her, and lets the music of the melancholy ocean
sink into her very soul.
Public-domain text, read in full here on John Shaqi.
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