Under the dome at the lop of the nave, are five different fresco, paintings which represent different acts relative to the life of the patron of the church. One represents _the consecration of Saint-Romain as bishop_; in another, _he overthrows the pagan temples_; farther on, is _the miracle of the dragon or Gargouille_; next to it, is the procession of the shrine to obtain the deliverance of a prisoner, a ceremony which was instituted after the miracle of which we have already spoken. The _apotheosis of Saint-Romain_ crowns these four paintings. At the top of the sanctuary, behind the high altar, there is also another fresco by Pêcheux, _representing the agony of Jesus-Christ_. The painting receives the light from above, by an opening made expressly for that purpose. The organ, which was made by Mr Lebreton, of Rouen, was received on the 11th july 1830. It is composed of four keys, forty two registers, and one pedal. Although modern, the church of Saint-Romain, merits as we see, to be examined in all its details. SAINT-GODARD. The origin of Saint-Godard is unknown, all that can be affirmed is that there existed anciently on this spot a chapel dedicated to the Virgin. This latter circumstance induced the belief for a long time, that the first Cathedral was erected on this place. It will suffice, to establish the contrary, to say that the church of Saint-Godard, was included within the interior of the town only at the commencement of the XIIIth century. In the year 533, and not 530 as Farin says, whose chronology is often erroneous, the archbishop saint Godard was interred in the subterraneous chapel of this church, which then changed its ancient name for that of the holy prelate, whose remains it had received. Saint-Romain was also interred in the same chapel. It was only after different additions that the church of Saint-Godard became what we now see it. It is one hundred and fifteen feet long, by seventy eight broad. In 1556, its organ was a very small one; it was afterwards enlarged; but, in 1562, it was destroyed by the calvinists. The present organ, which was established in 1640, is the work of a scotchman, named George Lesselié.