The Cathedral contains likewise several fine specimens of windows of the time of the _renaissance_. We must remark, especially, those which represent the life of saint Romain, in the chapel dedicated to that bishop and those which decorate the chapel of saint Stephen. We perceive, in the latter, saint Thomas touching the wound of Jesus-Christ; Christ preaching in the desert; Christ appearing to Mary-Magdalen; etc. The edifice is also lighted by three large roses (circular windows); two at the extremities of the transept and the other above the organ. Of these three windows the western is by far the finest. In the centre of it, the Eternal Father is represented as surrounded by a multitude of angels having each different musical instruments, around it are ten figures of angels, each holding an instrument of the Passion. The present organ of the Cathedral is a large sixteen feet one, and is placed beneath the western circular window. It was made by Lefevre, the celebrated organ maker in Rouen, in 1760. The choir is surrounded by fourteen pillars. Before 1430, its upper part was only lighted by a small number of narrow windows. Since that time, it has been lighted by the fifteen large windows, which we now see. In 1467, under the cardinal d'Estouteville, the chapter caused stalls to be made, which are very curiously sculptured. A stone screen, of a style which harmonized with the rest of the edifice formerly ornamented the entrance to the choir: In 1777, it was replaced by the present. This screen, notwithstanding its beauty, is unfortunately not in a style correspondent with the rest of the church. The upper gallery is surmounted by a gilt figure of Christ, made of lead, by Clodion. Between the pillars, we remark two marble altars, each ornamented with a white marble statue. That to the right is the statue of the Virgin, a much esteemed sculpture by Lecomte. This altar has retained the name _autel da væu_ (or the altar of the vow) since 1637, on account of a grand procession, which took place at that time, to obtain the cessation of the plague. The procession, in reentering the church stopped before this altar, on which the civic authorities placed a silver lamp, weighing forty marks. The statue to the left is that of saint Cecile, the patroness of musicians. This sculpture is also from the chisel of Clodion. Both altars are ornamented with handsome bas-reliefs, the one to the right representing, Jesus-Christ placed in the tomb; that to the left, Saint Cecile, at the moment of her death.