He was in no haste to answer this either, meditating silently, the
spring sun pouring an incongruous flood of golden young light on the
sagging heaviness of his middle-aged face. Cousin Hetty let him alone
again, and went on with the ruthless snip! clash! of her great shears.
When he rose again to the surface, it was with a two-fold explanation.
"Everybody that's worth anything over there has learned how to do his
job. No slap-dash business. And there's plenty of cheap slave-labor.
You're waited on! You're made comfortable. You've heard people talk of
the charm of European life. What they mean is cheap labor. There's
nothing more charming for the employer."
"Well!" commented Cousin Hetty. After a time she remarked, resolutely
gathering up the villainously prickly shoots she had been cutting off,
"I should think you'd be sort of ashamed of the slave-labor part of it.
An American!"
She was not one to hesitate, either to handle thorns herself, or to
thrust them upon others.
"Oh, I am," admitted Marise's father casually, and then as though it
gave him a faint amusement to shock her, "I forgot to mention their
cooking and good wines."
She scorned to take any notice of this, going on, "And I _should_
think," she stayed her steps for a moment, as she turned away to carry
the pruned-off trash to the spot where the spring bon-fire with its
exquisite coils of blue smoke faintly dimmed the exquisite clarity of
the mountain air, "I should think that if you found good workmanship
such a fine thing, you might try to do something towards getting more of
it in your own country, instead of just going off where it grows
already."
"Oh, heavens! you don't see me trying to 'make the world a better place
to live in,' do you? What sort of Harold-the-Uplifter do you take me
for?" he protested, with a yawn.
Cousin Hetty stepped off to the smoldering bon-fire, threw her armful of
rejected life on the flames, and came back, her wasted elderly face
looking stern.
"How about Marise? Will it be the best thing for her?"
"Oh, the best thing...." her father disavowed any pretentious claims to
ideas on that subject.
"Horace, don't pretend you don't know what I mean. Right in the middle
of her college course!"
"Shucks for her college course!" he said. "How much good does anybody's
college course amount to? Her music is worth forty times that to her.
Besides she can keep on going to school in Paris, can't she? What's to
hinder?"
The reference to music seemed to give her a new idea as to his plans, an
idea which she challenged with suspicion, "What do you expect she's
going to do with her music, anyhow? What do you _want_ her to do?"
Public-domain text, read in full here on John Shaqi.
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