Eugenia said in a loud, quavering voice, "I should think not! I have had
enough of their hatefulness for _one_ day!" She went on, her voice
shaken by suppressed sobs which did not at all fit what she was saying,
"And I h-have an appointment w-with the hairdresser anyhow." She fumbled
with a desperate haste in her little gold-beaded hand-bag, jerked out a
lacy handkerchief and wiped her eyes angrily. But more tears came, a
flood of nervous, excited tears, which ran down in big drops. She flung
her arms around Marise's neck and hiding her face on her shoulder, cried
out pitifully, "Oh, Marise, don't you ever just want to go back _home_?"
Marise's heart was very full of compassion, very barren of consolation.
"I haven't any home to go back to, any more than you," she said in a
whisper.
Eugenia reached up, pulled her head down and kissed her, still sobbing.
Marise kept her cheek pressed against the other's tear-wet face, aching
with her helplessness, burning to find some word of comfort, finding
nothing but loving silence to express her tenderness and pity.
A door opened upstairs, laughing voices sounded on the landing above.
The two girls drew apart and moved towards the door hand in hand.
II
Mme. de la Cueva had been crying and Marise guessed that she was getting
ready to have a new husband. She seemed to have had bad luck in
husbands. The one who had just been put to the door was the second
Marise had known in the four years of her study with the pianist, and
there had been at least two before that. It was a terrible grief to her
always to find out that she no longer cared for the one she had; but she
faced the facts with courage, allowing herself no dissembling, no
bourgeoise timidity. The old one disappeared, and in a few months a new
one was there.
"Good-day, my child," said the pianist affectionately, pulling Marise
down to kiss her on both cheeks. "No lesson to-day nor to-morrow," she
spoke solemnly, the tears in her eyes.
She began to cry openly.
Marise sat down by her, startled out of her own mood of resentment.
"Why, dear Madame de la Cueva, why?" she asked, "What has happened?"
"I am going to America," said the older woman. "Georges Noel and I are
booked for a concert tour of the world. We will be married in
Australia."
The inevitable first thought of the magnificent egotism of youth was for
itself, "Why, what shall _I_ do?" cried Marise aggrieved.
Mme. de la Cueva did not resent this. She never resented anything which
she recognized as natural. And this seemed to her pre-eminently natural
and proper. She took Marise's hand in hers tenderly, maternally.
"It is for your good, my dear child, the change, though I know how you
will miss me. You need some one else. A year with the old Visconti will
be the making of you."
"The old Visconti!" cried Marise, "but he lives in Rome!"
Public-domain text, read in full here on John Shaqi.
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