He tried sternly to explain his feelings and issue his commands, but
as was to be expected his Italian gave way under the strain: "Troppo
in ritardo punire il gatto ... it's too late to jump on the cat _now_,
you poor chump; she wouldn't have any idea what it's for. Gatto non
capisce ... it's not her fault anyhow. She doesn't know any better.
Take her down cellar, dans la cave; she's all right catching rats.
That's what she's for! And look here," he stopped his pitiful attempt at
Italian and ended fiercely, trusting to a grim eye and a set jaw to make
his meaning plain, "Don't you try any funny business on the cat when I'm
not around, or I'll knock your heads together till you can't see."
He heard the girl speak to the men in an Italian that was so rapid it
made him dizzy and at the end caught the phrase, "do you understand?"
The men nodded, by no means pleased at the rebuff, the boy motioned
Neale to give him the cat, and carried her off carefully down the
corridor.
"That was the very most splendid thing for you to do," the girl said to
him, with a soft energy of accent.
He whirled about towards her, the immensity of his relief flooding his
face. "Oh, you _do_ speak English! You're _not_ Italian!" he cried, the
intonation of his phrase seeming to indicate that she had lifted from
his mind an apprehension of infinitely long standing.
"Oh, yes," she said, smiling and looking directly at him, "of course I
speak English. I'm an American girl. My name is Marise Allen."
Neale was so affected by the sweetness of her smile on him, by the
softness of her shining dark eyes, that he felt himself blushing and
stammering like a little boy. "M-mine is Neale Crittenden," he
answered.
CHAPTER XLIII
The dream-like Arabian Night unexpectedness which had descended on Neale
the evening before, on the roof, continued shimmeringly to wrap
everything in improbability. Instead of receiving his unfamiliar name
with the vague, conventional smile of a new acquaintance, the girl
raised her eyebrows high in a long, delicate arch and cried out, "You
are! Really! The one who has inherited Crittenden's?" Seeing Neale's
look of almost appalled amazement, she broke into a sudden laugh. Neale
had never heard any one laugh like that, almost like some one singing,
so clear and purely produced was its little trill. And yet it had been
as sudden and spontaneous as a gush of water from a spring.
"I don't wonder you look astonished," she told him. "But you see when I
was a little girl I used often to play in and out of old Mr.
Crittenden's house and mill. I've never seen anything since in all my
life that seemed as wonderful and mighty to me as the way the saw used
to gnash its teeth at the great logs and slowly, shriekingly tear them
apart into boards. Didn't you use to love the moss on the old
water-wheel, too?"
Public-domain text, read in full here on John Shaqi.
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