"I never saw the mill or the house," he told her. "I never saw my
great-uncle but once or twice in my life." He was too amazed to do
anything but answer her literally and baldly.
"Why, how in the world...?" she began to ask, and then as a bell from
one of the innumerable church belfries outside began clangorously to
strike the hour, she glanced at her wrist-watch, and shook her head.
"It's breakfast-time," she said. She nodded, smiled and turned away,
stepping down the corridor with a light, supple gait. Neale had never
seen any one walk like that, as though every step were in time to music.
He went back to his room to wash his hands and brush his clothes, which
showed signs of contact with dusty Roman walls and roofs. When, ten
minutes later, he went into the dining-room, five or six people were
already at table, Livingstone among them. Miss Oldham, the head of the
pension, introduced the newcomer to the others, mentioning names on both
sides. To Neale's surprise, Miss Allen did not explain (as he had opened
his mouth to do) that she had already seen and talked to Mr. Crittenden
that morning. Instead, she now gave him the conventional smile he had
expected ten minutes before, accepted the introduction as though she had
never seen his face and went on drinking her cafe-au-lait.
More Arabian Nights. What did _this_ mean? Neale swallowed the reference
he had begun to their earlier meeting. Miss Oldham said to him with the
wearily playful accent of the conscientious pension-keeper, fostering
cheerful talk around her table, "I understand, Mr. Crittenden, that you
and Miss Allen are in a way related, as I might say."
Livingstone joined in with his usual sprightliness: "Yes, Crittenden,
why didn't you tell me you had a fellow-townswoman in Rome? Last evening
when I went back into the salon and told the assembled company about you
and your inheritance there was Mademoiselle Allaine, who had often, in
her remote childhood, climbed on the respected knees of Monsieur your
Great-uncle."
Miss Allen smiled quietly over her cup, remarked that it would have
taken a bolder child than she had ever been to climb on the knees of old
Mr. Crittenden, and, looking at her watch, rose to go. "Music, divine
music?" inquired Livingstone.
"Yes, divine music," she answered lightly. "We are getting ready to play
at a soiree at Donna Antonia Pierleoni's. I'm due there at half past
nine to try out the piano in a new position in the room."
"Clear out there by half-past nine!" cried Livingstone, as if exhausted
by the idea.
She did not seem to consider that this required any answer, made a
graceful inclination of the head to the company at table and went off.
Public-domain text, read in full here on John Shaqi.
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