To his amazement he saw that she was trying bravely to smile at him.
To his greater amazement he snatched up both her hands and carried them
roughly and passionately to his lips.
CHAPTER XLV
During the interminable process of hanging the skirt of that yellow
dress for Donna Antonia's soiree, Marise kept thinking of the Pantheon.
The dressmaker's lodging was near there. If they could only be done with
those draperies she would have time to step into the place which she
loved best in Rome. She cast a look at herself in the cracked mirror
which was all the inexpensive little dressmaker could afford. "I'm
afraid it's higher on the right hip," she said, and settled with a sigh
to endure more pinnings and unpinnings. "Strange, how important it is
for the correct playing of Beethoven," she thought ironically, "that the
drapery on one hip shall not be higher than on the other." She caught a
glimpse of herself as she thought this, and frowned to see her lip
curled in a cold, ugly line of distaste. Her thoughts were showing more
and more on her face. She knew well enough what Mme. Vallery would say.
She would say, "Don't pretend, dear child, that you don't know perfectly
well that the kind of dress you wear has a great deal to do with
everything that anybody cares about, and that the kind of people you
must depend on to make your music profitable are the kind who care
nothing about music and altogether about looks."
That was true, of course, but all the same it did make Marise sick to
have people call a "soiree musicale" what really was a "sartorial
evening." Of course it was understood that people were hypocritical
about everything. She granted that they never called anything by its
right name. But she did wish they would leave music alone! She _cared_
about that!
"That's right now," she said aloud, looking intently from one hip to the
other. "Perhaps a _little_ more--no, it will do as it is."
* * * * *
She would have time for the Pantheon after all--ten minutes at least.
Ten minutes for the Pantheon! She had been three-quarters of an hour
with the dressmaker! That was her life! She walked in through the gray
old portico, and, still fretting, her mouth still in the cold, ugly
line, she stepped through the huge bronze doorway and stood under the
vault ... "_ah!_"
She always forgot how it affected her or she would come in every day as
other people said their prayers. It was as though it had been made for
her and had waited till she came, sore-hearted, to look at it and find a
passing peace.
Public-domain text, read in full here on John Shaqi.
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