He had given her question a good deal of thought, and yet when he took
his hand down to speak he said abruptly, impulsively, as though the
words had broken up through what he had been meaning to say, "Couldn't
we ... any of us ... couldn't we hope to create a beautiful human
relationship? Beautiful and enduring?"
CHAPTER XLVIII
Neale was in despair at his dumb helplessness before the inert
resistance of social relations. A man with any adroitness would not
submit passively to this sprung-up-from-nowhere tradition that he and
Livingstone and Marise Allen and Eugenia Mills formed an indissoluble
foursome, never to advance or retreat save in a solid bloc, like a
French family, with all the uncles and cousins and aunts. How had it
started? _He_ certainly had had nothing to do with it. That's what you
got for being stiff-jointed and literal as he was about personal
relations. The practised old hands ran circles around you, and had
things all their own way.
Such at least was the color of Neale's meditations when he was alone in
his own room. When, as one of the quartet, he set off on a new
expedition, he could think of nothing but his light-headed pleasure at
being there at all, walking beside her, catching sidelong glimpses of
her when he was supposed to be looking at a statue or a fresco, talking
to her over the others' heads, trying to say something to _her_, through
the infernally "general" conversation which Livingstone kept up as
though his tongue were hung in the middle.
And there was a certain advantage too--he was not flexible-minded enough
to label it, but he recognized and was quick to profit by it--this
parading around in a group gave the most intoxicating quality of
intimacy to the brief, snatched occasions when he did manage to see her
alone; even though a good many of these few precious moments were, as a
matter of actual fact, passed on a noisy street-corner, waiting for a
tram-car to come and carry her off, or on a narrow Roman sidewalk,
trying to keep abreast of her as she stepped quickly through the dense,
sauntering Italian crowd, stopping five deep to stare at something in a
window, or holding noisy and affectionate family reunions on the
sidewalk. None of that mattered. The noise, the clatter of tongues, the
pressing and shoving of the crowd, the ear-piercing yells of the
street-vendors--it was all essential silence to Neale because none of it
was directed at keeping him apart from Marise, as was the low-toned
urbane conversation of the sight-seeing quartet.
Public-domain text, read in full here on John Shaqi.
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