She looked hard at the empty chairs, and thought to herself that it
wasn't any worse to see them empty, than to see the people that usually
sat on them--not one who could help a little girl to be more happy.
There wasn't a single person she knew, whom she'd wish sitting there
now, unless it might be Cousin Hetty! Marise felt a knot come in her
throat, and the corners of her mouth began to tremble. She would _like_
to get up in Cousin Hetty's lap again.
But Cousin Hetty was not there. There was nothing there but the circle
of unfriendly chairs and tables and the empty, silent room. The
trembling of her lips got worse; Marise was afraid she was going to cry.
She turned round on the piano stool, put one bent arm up on the music
which stood there, and hid her face in it. She was not crying; though
she wished she could, because the ache in her heart and the knot in her
throat hurt too much.
The silent, motionless room stood aloof and meaningless about the
silent, motionless child. Marise pressed her face closer against her
arm. She was trembling now, all over her body.
The silence was intense.
And then it seemed to her that the silence had been broken by a voice, a
beautiful, quivering voice, deep and true, which went straight to her
heart, as though some one had spoken a strong, loving word. At the sound
she stopped trembling and sat motionless.
Before she could draw her breath in wonder, she knew what it had
been ... only a note of music. Her own hand falling on a key of the
piano had struck a note, which was even then echoing in her ears.
But the first impression was ineffaceable. That, too, rang in her ears.
It seemed as though it was the first time she had ever heard a note of
music. Really, really that was so. She had never been _still_ enough
before to hear how a note sounded. How it rang and rang in the
stillness, its deep vibration stirring echoes deep within Marise's
heart! She had thought it was a voice. Why, it was like a voice, a
voice speaking to her, just when she had been so sure that there wasn't
any voice she could possibly expect to hear.
She sat up marveling, and struck another note. Into the dead, stagnant
air of the room, and into her loneliness, it sang out bravely, the same
living voice, thrilling and speaking to her. She struck a chord,
astonished at what she heard in it--all those separate voices, each one
rich and true and strong and different from the others, and all shouting
together in glorious friendliness. "That's the way things _ought_ to
be," thought Marise, "that's the way _people_ ought to be." But, oh, how
little they were like that! But here was a world where she could always
make it come true, where she could have that singing-together any time
she wished to make it for herself.
She struck more chords, her fingers finding the keys with the
second-nature sureness, learned in her months of dreary practice.
Public-domain text, read in full here on John Shaqi.
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