Clarence and Clarice crossed startled glances, and it seemed to me that Clarice's cheek paled a trifle; or it may have been Clarence's cheek that paled. He bent forward and asked Shorty something, and as we departed full of joy and content we observed that Shorty was composing himself to unload that stock horror tale. It made us very happy. By common consent we had named them Clarence and Clarice on their arrival the day before. At first glance we decided they must have come from Back Bay, Boston--probably by way of Lenox, Newport and Palm Beach; if Harvard had been a co-educational institution we should have figured them as products of Cambridge. It was a shock to us all when we learned they really hailed from Chicago. They were nearly of a height and a breadth, and similar in complexion and general expression; and immediately after arriving they had appeared for the ride down the Bright Angel in riding suits that were identical in color, cut and effect--long-tailed, tight-buttoned coats; derby hats; stock collars; shiny top boots; cute little crops, and form-fitting riding trousers with those Bartlett pear extensions midships and aft--and the prevalent color was a soft, melting, misty gray, like a cow's breath on a frosty morning. Evidently they had both patronized the same tailor. He was a wonder, that tailor. Using practically the same stage effects, he had, nevertheless, succeeded in making Clarence look feminine and Clarice look masculine. We had gone down to the rim to see them off. And when they passed us in all the gorgeousness of their city bridle-path regalia, enthroned on shaggy mules, behind a flock of tourists in nondescript yet appropriate attire, and convoyed by a cowboy who had no reverence in his soul for the good, the sweet and the beautiful, but kept sniggering to himself in a low, coarse way, we felt--all of us--that if we never saw another thing we were amply repaid for our journey to Arizona. The exactly opposite angle of this phenomenon was presented by a certain Eastern writer, a member, as I recall, of the Jersey City school of Wild West story writers, who went to Arizona about two years ago to see if the facts corresponded with his fiction; if not he would take steps to have the facts altered--I believe that was the idea. He reached El Tovar at Grand Canon in the early morning, hurried at once to his room and presently appeared attired for breakfast. Competent eyewitnesses gave me the full details. He wore a flannel shirt that was unbuttoned at the throat to allow his Adam's apple full sweep, a hunting coat, buckskin pants and high boots, and about his waist was a broad belt supporting on one side a large revolver--one of the automatic kind, which you start in to shooting by pulling the trigger merely and then have to throw a bucket of water on it to make it stop--and on the other side, as a counterpoise, was a buck-handled bowie knife such as was so universally not used by the early pioneers of our country.