Round the Block: An American NovelBouton, John Bell
General
Round the Block: An American Novel
Bouton, John Bell
City and town life -- Fiction; Male friendship -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
"In Heaven's name, stop, child! You are piercing my heart with a hot
iron. Name not love to me. Henceforth I erase it from the tablets of my
brain. Now go on" (with tranquil despair).
"I was about to say, dear mistress, please, that Signor Rodicaso has a
splendid town house, and a beautiful country seat (they say), and
thousands of acres of land, which will all be yours--"
The eloquent grief of her mistress's face checked the maid.
"Bidette," she said, "I shall want but a small portion of all his
lands."
"What do you mean, dear mistress?" asked the frightened maid.
"Only enough for--a grave," was the harrowing reply.
This dreary dialogue was here interrupted by the appearance of the
father in tights, knee buckles, velvet coat, ruffles, a powdered wig,
and a general air of having been got up for a great occasion. He
carefully picked his way through the furniture to his daughter, and
kissed her on the forehead.
"Are you happy, my dear daughter?" he asked.
"Happy? Oh! yes, father, I am _so_ happy! See how I smile." So saying,
she made a feeble attempt to smile, which was a most artistic failure,
and brought out another tribute of applause.
The father, not detecting the sad irony of the smile, replied:
"It is indeed fortunate that you are enabled not only to achieve your
own happiness by this marriage, but also to redeem what is dearer to me
than all else in this world--my mercantile credit. But here they come."
"Here they come," was the cue which was to bring in Signor Rodicaso and
party; but the Signor was momentarily delayed by the giving way of two
buttons in his doublet. When he had repaired damages with pins as well
as he could, he emerged into view, accompanied by a notary and a pair of
friendly witnesses. The Signor, this time, proved to be the author of
the play, who had kindly consented, at five minutes' notice, to take the
part in which the hapless Chickson had broken down. Stealing behind, in
the shadow of the others, was distinctly seen (by all except the people
on the stage) the burly form of Uncle Bignolio.
To satisfy the conventional idea of dramatic concealment, his left leg
was plunged in obscurity behind the scenes, while the rest of his figure
stood out in bold relief. He was observed, by those who watched him
narrowly, to send a pleasant wink and nod to Bidette, who responded with
a scarcely perceptible pout.
On the entrance of Signor Rodicaso and friends, Fidelia rose, turned
toward them, and made a profound courtesy, as if to signify her abject
submission. Signor Rodicaso bowed with equal profundity, and straightway
proceeded to make a speech to the lady, in which he spoke of the wild
idolatry that he had long felt for her, and alluded most disparagingly
to his own merits. If the Signor's statements could be relied on, he was
totally unworthy of an alliance with the beautiful Fidelia; in fact, was
a "dog who would be proud only but to bask in the sunshine of
her smile."
Public-domain text, read in full here on John Shaqi.
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