Round the Block: An American NovelBouton, John Bell
General
Round the Block: An American Novel
Bouton, John Bell
City and town life -- Fiction; Male friendship -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
This singular address, extending over "one length," or forty-five lines,
excited little less astonishment on the stage than in the audience. For
it was not set down in the acting copy, but had been improvised by the
author, to better the part of the Signor, which, as originally written,
was destitute of Long and effective orations.
Fidelia smiled, and could only reply to this unpremeditated effusion by
several modest inclinations of the head. The other actors and actress
turned aside to conceal their grins. Uncle Bignolio alone fulfilled the
requirements of his part, by casting Mephistophelean leers at the
Signor, and now and then stealthily shaking his fists at him.
The father, not being apt at off-hand oratory, did not attempt any
response to this speech, but merely bowed, to express his perfect
agreement in everything that had been said, and waved his hand toward a
table in the rear of the stage, as if to say, "Let us proceed to
business."
The notary, taking the hint, seated himself at the table, opened his
black bag, drew forth a document from it, and spread it out. Then he
dipped a pen into an inkstand, and said:
"We now await the signing of the contract of marriage between Signor
Alessandro Arturo Rodicaso, gentleman, and Signorina Giulia Innocenza
Fidelia Corpetto, only daughter of Signor Francesco Corpetto, merchant."
In the absence of any definite information on the Venetian formula
adopted in such cases, the author had selected this style of
announcement as being sufficiently stiff and imposing.
Signor Rodicaso sprang forward with joyful alacrity to sign the
contract, dashing off his name in two strokes, as is the invariable
custom on the stage.
The climax of the drama had now arrived, and everybody stood aside for
the wretched Fidelia. Mrs. Slapman proved equal to the great occasion.
Directing one look to heaven, as if for strength, and pressing a hand
over the jewelled bodice which covered her bursting heart, she walked
with firm steps toward the fatal table. Never in her life had she been
more grandly simple. It was sublime!
As Fidelia came up to the little table, she faltered, and leaned upon it
to support herself; then, with a nervous motion, grasped the pen.
Several times she dipped the pen in the empty inkstand, and each time
her face assumed a look of more settled anguish. Then, bracing all her
nerves for the decisive act of woman's life, she put down the pen
boldly on the paper, and made one up stroke. Before she could make the
other down stroke which was necessary to complete her signature, a wild
figure, with hair dishevelled, and other evidences of hasty purpose,
burst upon the stage.
Fidelia paused; all stood back; and gentlemen who had swords laid hands
on them.
"Who is this?" asked the Father, with mercantile calmness.
"Who dares thus break in upon my happiness?" inquired Signor Rodicaso.
Public-domain text, read in full here on John Shaqi.
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