Round the Corner: Being the Life and Death of Francis Christopher Folyat, Bachelor of Divinity, and Father of a Large FamilyCannan, Gilbert
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Round the Corner: Being the Life and Death of Francis Christopher Folyat, Bachelor of Divinity, and Father of a Large Family
Cannan, Gilbert
Clergy -- Fiction; England -- Social life and customs -- Fiction; English fiction -- 20th century; Families -- Fiction
That evening Frederic took Serge's drawings with him and sought out
old Lawrie in the Arts Club, where always on a Sunday evening there
was a gathering of old warriors and choice spirits--Joshua Yeo, Elihu
Beecroft, the painter, Peter Maitland, who wrote pantomimes, and
Warlock Clynes, the photographer, and B. J. Strutt, the manager of the
old theatre, where, as a young man, Henry Irving had been a member of
the stock company. They were smoking and drinking and yarning. They
had vast stores of anecdotes of the great Bohemians in London.
Beecroft had twice had pictures in the Academy, and B. J. Strutt had
begun life as a call-boy at the Haymarket Theatre. Old James Lawrie
had been to London three times and had shaken hands with J. L. Toole
and Helen Faucit, and Clement Scott had sent him a copy of his
Ballads, of which he had produced many gross parodies.
The club was simply three rooms in a dark block of offices--a bar, an
eating room, and a smoke-room. Frederic was shown in by the grubby boy
whom he found at the door reading a penny "blood," and he stood
foolishly in the middle of the room realising dreadfully that old
Lawrie did not remember who he was.
"Mr. Lawrie. . ." he said.
"Eh?"
"I--I--My name's Folyat. I--I acted. You asked me to--to look you up
here some day."
"Eh? Oh, yes. Come and sit down. What'll you have? I can't pay for
your drink, but some one will."
Frederic sat down, and the little group of old men were embarrassed by
his presence.
"So. . . so you act, do you? Here's B. J. Strutt. Get him to give you
a job in his next pantomime."
"I'm--I'm not a pro," said Frederic. "I'm a solicitor." And, as he
said it, he felt that it was a small thing to be among these free men
who practised the arts. Frederic was a chameleon who took his colour
from his surroundings. He had a queer capacity for enthusiasm, which
came and went and was altogether beyond his control. He drank a little
whiskey and he felt that he was in the company of very wonderful
beings. They talked of things and men that were glorious dreams to
him, and they spoke of them with such ease and familiarity, like
giants playing marbles with the mountains. His own little celebrity,
which had been very dear to him, dwindled into nothing, and it was to
protect himself that he produced Serge's drawings and began to talk of
his brother.
Beecroft took the drawings and looked them through. He had a huge red
beard and a glistening bald head and round spectacles that made him
look like a benevolent spider. He clapped his hands to his bald pink
head and with immense fervour said:
"By God!"
"Are they good?" rasped Lawrie.
"No. Damn bad."
Frederic felt very small.
"I don't know," said B. J. Strutt. "I like that one all yellow in the
foreground and blue in the distance. And I like that one with the
niggers filing through the orange-trees with the pinky-white house
beyond."
Public-domain text, read in full here on John Shaqi.
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