English fiction; Horror tales, English; Short stories, English
“I am coming to that. The narrative goes on to tell of the woman’s
behaviour when questioned. ‘When the executioner approached her she
recognized him by the cords which he held in his hands, and she at once
held out her own hands to him, looking at him from head to foot without
uttering a word.’ How’s that?”
“Yes, it was so.”
“‘She gazed without wincing upon the wooden horse and rings which had
twisted so many limbs and caused so many shrieks of agony. When her eyes
fell upon the three pails of water, which were all ready for her, she
said with a smile, “All that water must have been brought here for the
purpose of drowning me, Monsieur. You have no idea, I trust, of making a
person of my small stature swallow it all.”’ Shall I read the details of
the torture?”
“No, for Heaven’s sake, don’t.”
“Here is a sentence which must surely show you that what is here
recorded is the very scene which you have gazed upon to-night: ‘The good
Abbé Pirot, unable to contemplate the agonies which were suffered by his
penitent, had hurried from the room.’ Does that convince you?”
“It does entirely. There can be no question that it is indeed the same
event. But who, then, is this lady whose appearance was so attractive
and whose end was so horrible?”
For answer Dacre came across to me, and placed the small lamp upon the
table which stood by my bed. Lifting up the ill-omened filler, he turned
the brass rim so that the light fell full upon it. Seen in this way the
engraving seemed clearer than on the night before.
“We have already agreed that this is the badge of a marquis or of a
marquise,” said he. “We have also settled that the last letter is B.”
“It is undoubtedly so.”
“I now suggest to you that the other letters from left to right are, M,
M, a small d, A, a small d, and then the final B.”
“Yes, I am sure that you are right. I can make out the two small d’s
quite plainly.”
“What I have read to you to-night,” said Dacre, “is the official record
of the trial of Marie Madeleine d’Aubray, Marquise de Brinvilliers, one
of the most famous poisoners and murderers of all time.”
I sat in silence, overwhelmed at the extraordinary nature of the
incident, and at the completeness of the proof with which Dacre had
exposed its real meaning. In a vague way I remembered some details of
the woman’s career, her unbridled debauchery, the coldblooded and
protracted torture of her sick father, the murder of her brothers for
motives of petty gain. I recollected also that the bravery of her end
had done something to atone for the horror of her life, and that all
Paris had sympathized with her last moments, and blessed her as a martyr
within a few days of the time when they had cursed her as a murderess.
One objection, and one only, occurred to my mind.
“How came her initials and her badge of rank upon the filler? Surely
they did not carry their medieval homage to the nobility to the point of
decorating instruments of torture with their titles?”
Public-domain text, read in full here on John Shaqi.
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