English fiction; Horror tales, English; Short stories, English
Harvey Deacon started in his chair. The Frenchman was moving his head
slowly round and staring into the shadows which draped the walls.
“What a fun!” said he. “Always unicorns. Who has been thinking so hard
upon a subject so bizarre?”
“This is wonderful!” cried Deacon. “I have been trying to paint one all
day. But how could you know it?”
“You have been thinking of them in this room.”
“Certainly.”
“But thoughts are things, my friend. When you imagine a thing you make a
thing. You did not know it, _hein_? But I can see your unicorns because
it is not only with my eye that I can see.”
“Do you mean to say that I create a thing which has never existed by
merely thinking of it?”
“But certainly. It is the fact which lies under all other facts. That is
why an evil thought is also a danger.”
“They are, I suppose, upon the astral plane?” said Moir.
“Ah, well, these are but words, my friends. They are
there—somewhere—everywhere—I cannot tell myself. I see them. I could not
touch them.”
“You could not make _us_ see them.”
“It is to materialize them. Hold! It is an experiment. But the power is
wanting. Let us see what power we have, and then arrange what we shall
do. May I place you as I should wish?”
“You evidently know a great deal more about it than we do,” said Harvey
Deacon; “I wish that you would take complete control.”
“It may be that the conditions are not good. But we will try what we can
do. Madame will sit where she is, I next, and this gentleman beside me.
Meester Moir will sit next to madame, because it is well to have blacks
and blondes in turn. So! And now with your permission I will turn the
lights all out.”
“What is the advantage of the dark?” I asked.
“Because the force with which we deal is a vibration of ether and so
also is light. We have the wires all for ourselves now—_hein_? You will
not be frightened in the darkness, madame? What a fun is such a séance!”
At first the darkness appeared to be absolutely pitchy, but in a few
minutes our eyes became so far accustomed to it that we could just make
out each other’s presence—very dimly and vaguely, it is true. I could
see nothing else in the room—only the black loom of the motionless
figures. We were all taking the matter much more seriously than we had
ever done before.
“You will place your hands in front. It is hopeless that we touch, since
we are so few round so large a table. You will compose yourself, madame,
and if sleep should come to you you will not fight against it. And now
we sit in silence and we expect——_hein_?”
Public-domain text, read in full here on John Shaqi.
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