English fiction; Horror tales, English; Short stories, English
So we sat in silence and expected, staring out into the blackness in
front of us. A clock ticked in the passage. A dog barked intermittently
far away. Once or twice a cab rattled past in the street, and the gleam
of its lamps through the chink in the curtains was a cheerful break in
that gloomy vigil. I felt those physical symptoms with which previous
séances had made me familiar—the coldness of the feet, the tingling in
the hands, the glow of the palms, the feeling of a cold wind upon the
back. Strange little shooting pains came in my forearms, especially as
it seemed to me in my left one, which was nearest to our visitor—due no
doubt to disturbance of the vascular system, but worthy of some
attention all the same. At the same time I was conscious of a strained
feeling of expectancy which was almost painful. From the rigid, absolute
silence of my companions I gathered that their nerves were as tense as
my own.
And then suddenly a sound came out of the darkness—a low, sibilant
sound, the quick, thin breathing of a woman. Quicker and thinner yet it
came, as between clenched teeth, to end in a loud gasp with a dull
rustle of cloth.
“What’s that? Is all right?” someone asked in the darkness.
“Yes, all is right,” said the Frenchman. “It is madame. She is in her
trance. Now, gentlemen, if you will wait quiet you will see something, I
think, which will interest you much.”
Still the ticking in the hall. Still the breathing, deeper and fuller
now, from the medium. Still the occasional flash, more welcome than
ever, of the passing lights of the hansoms. What a gap we were bridging,
the half-raised veil of the eternal on the one side and the cabs of
London on the other. The table was throbbing with a mighty pulse. It
swayed steadily, rhythmically, with an easy swooping, scooping motion
under our fingers. Sharp little raps and cracks came from its substance,
file-firing, volley-firing, the sounds of a fagot burning briskly on a
frosty night.
“There is much power,” said the Frenchman. “See it on the table!”
I had thought it was some delusion of my own, but all could see it now.
There was a greenish-yellow phosphorescent light—or I should say a
luminous vapour rather than a light—which lay over the surface of the
table. It rolled and wreathed and undulated in dim glimmering folds,
turning and swirling like clouds of smoke. I could see the white,
square-ended hands of the French medium in this baleful light.
“What a fun!” he cried. “It is splendid!”
“Shall we call the alphabet?” asked Moir.
“But no—for we can do much better,” said our visitor. “It is but a
clumsy thing to tilt the table for every letter of the alphabet, and
with such a medium as madame we should do better than that.”
“Yes, you will do better,” said a voice.
“Who was that? Who spoke? Was that you, Markham?”
“No, I did not speak.”
“It was madame who spoke.”
“But it was not her voice.”
“Is that you, Mrs. Delamere?”
Public-domain text, read in full here on John Shaqi.
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