England -- Social life and customs -- 19th century -- Fiction
“For when the younger Morin called at the porter’s lodge, on the evening
of the day when Virginie had gone out for the first time after so many
months’ confinement to the conciergerie, he was struck with the
improvement in her appearance. It seems to have hardly been that he
thought her beauty greater: for, in addition to the fact that she was not
beautiful, Morin had arrived at that point of being enamoured when it
does not signify whether the beloved one is plain or handsome—she has
enchanted one pair of eyes, which henceforward see her through their own
medium. But Morin noticed the faint increase of colour and light in her
countenance. It was as though she had broken through her thick cloud of
hopeless sorrow, and was dawning forth into a happier life. And so,
whereas during her grief, he had revered and respected it even to a point
of silent sympathy, now that she was gladdened, his heart rose on the
wings of strengthened hopes. Even in the dreary monotony of this
existence in his Aunt Babette’s conciergerie, Time had not failed in his
work, and now, perhaps, soon he might humbly strive to help Time. The
very next day he returned—on some pretence of business—to the Hotel
Duguesclin, and made his aunt’s room, rather than his aunt herself, a
present of roses and geraniums tied up in a bouquet with a tricolor
ribbon. Virginie was in the room, sitting at the coarse sewing she liked
to do for Madame Babette. He saw her eyes brighten at the sight of the
flowers: she asked his aunt to let her arrange them; he saw her untie the
ribbon, and with a gesture of dislike, throw it on the ground, and give
it a kick with her little foot, and even in this girlish manner of
insulting his dearest prejudices, he found something to admire.
“As he was coming out, Pierre stopped him. The lad had been trying to
arrest his cousin’s attention by futile grimaces and signs played off
behind Virginie’s back: but Monsieur Morin saw nothing but Mademoiselle
Cannes. However, Pierre was not to be baffled, and Monsieur Morin found
him in waiting just outside the threshold. With his finger on his lips,
Pierre walked on tiptoe by his companion’s side till they would have been
long past sight or hearing of the conciergerie, even had the inhabitants
devoted themselves to the purposes of spying or listening.
“‘Chut!’ said Pierre, at last. ‘She goes out walking.’
“‘Well?’ said Monsieur Morin, half curious, half annoyed at being
disturbed in the delicious reverie of the future into which he longed to
fall.
“‘Well! It is not well. It is bad.’
“‘Why? I do not ask who she is, but I have my ideas. She is an
aristocrat. Do the people about here begin to suspect her?’
“‘No, no!’ said Pierre. ‘But she goes out walking. She has gone these
two mornings. I have watched her. She meets a man—she is friends with
him, for she talks to him as eagerly as he does to her—mamma cannot tell
who he is.’
“‘Has my aunt seen him?’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account