During the short period that Passe-partout had been in Mr. Fogg's presence, he had carefully scrutinised his future master. He appeared to be about forty years of age, with a fine face; a tall and well-made man, whose figure was not too stout. He had light hair and whiskers, a clear brow, a somewhat pale face, and splendid teeth. He appeared to possess in a very marked degree that attribute which physiognomists call "repose in action," a faculty appertaining to those whose motto is "Deeds, not words." Calm and phlegmatic, with a clear and steady eye, he was the perfect type of those cool Englishmen whom one meets so frequently in the United Kingdom, and whom Angelica Kauffmann has so wonderfully portrayed. Mr. Fogg gave one the idea of being perfectly balanced, like a perfect chronometer, and as well regulated. He was, in fact, the personification of exactness, which was evident in the very expression of his hands and feet; for amongst men, as amongst the lower animals, the members are expressive of certain passions. Phileas Fogg was one of those mathematical people who, never in a hurry, and always ready, are economical of their movements. He never made even one step too many; he always took the shortest cut; he never wasted a glance, nor permitted himself a superfluous gesture. No one had ever seen him agitated or moved by any emotion. He was the last man in the world to hurry himself, but he always arrived in time. He lived quite alone, and, so to speak, outside the social scale. He knew that in life there is a great deal of friction; and as friction always retards progress, he never rubbed against anybody. As for Jean, who called himself Passe-partout, he was a Parisian of the Parisians. He had been for five years in England, and had taken service in London as a valet-de-chambre, during which period he had in vain sought for such a master as Mr. Fogg. Passe-partout was not one of those Frontii or Mascarilles, who, with high shoulders and snubbed noses, and plenty of assurance, are nothing more than impudent dunces; he was a good fellow, with a pleasant face, somewhat full lips, always ready to eat or to kiss, with one of those good round heads that one likes to see on the shoulders of one's friends. He had bright blue eyes, was somewhat stout, but very muscular, and possessed of great strength. He wore his hair in a somewhat tumbled fashion. If sculptors of antiquity were aware of eighteen ways of arranging the hair of Minerva, Passe-partout knew but one way of doing his, namely, with three strokes of a comb. We will not go as far as to predict how the man's nature would accord with Mr. Fogg's. It was a question whether Passe-partout was the exact sort of servant to suit such a master. Experience only would show. After having passed his youth in such a vagabond manner, he looked forward to some repose.