English essays -- 19th century; Great Britain -- Social life and customs; London (England) -- Description and travel
They say he was a moody, ill-conditioned man, the old tenant of the
mill. What does he think of the “Vander Helst” which hangs opposite his
“Night-watch,” and which is one of the great pictures of the world? It
is not painted by so great a man as Rembrandt; but there it is--to see
it is an event of your life. Having beheld it you have lived in the year
1648, and celebrated the treaty of Munster. You have shaken the hands
of the Dutch Guardsmen, eaten from their platters, drunk their Rhenish,
heard their jokes, as they wagged their jolly beards. The Amsterdam
Catalogue discourses thus about it:--a model catalogue: it gives you the
prices paid, the signatures of the painters, a succinct description of
the work.
“This masterpiece represents a banquet of the civic guard, which took
place on the 18th June, 1648, in time great hall of the St. Joris Doele,
on the Singel at Amsterdam, to celebrate the conclusion of the Peace
at Munster. The thirty-five figures composing the picture are all
portraits.
“'The Captain WITSE' is placed at the head of the table, and attracts
our attention first. He is dressed in black velvet, his breast covered
with a cuirass, on his head a broad-brimmed black hat with white plumes.
He is comfortably seated on a chair of black oak, with a velvet cushion,
and holds in his left hand, supported on his knee, a magnificent
drinking-horn, surrounded by a St. George destroying the dragon, and
ornamented with olive-leaves. The captain's features express cordiality
and good-humor; he is grasping the hand of 'Lieutenant VAN WAVERN'
seated near him, in a habit of dark gray, with lace and buttons of
gold, lace-collar and wristbands, his feet crossed, with boots of yellow
leather, with large tops, and gold spurs, on his head a black hat and
dark-brown plumes. Behind him at the centre of the picture, is the
standard-bearer, 'JACOB BANNING,' in an easy martial attitude, hat in
hand, his right hand on his chair, his right leg on his left knee. He
holds the flag of blue silk, in which the Virgin is embroidered, (such a
silk! such a flag! such a piece of painting!) emblematic of the town
of Amsterdam. The banner covers his shoulder, and he looks towards the
spectator frankly and complacently.
Public-domain text, read in full here on John Shaqi.
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