English essays -- 19th century; Great Britain -- Social life and customs; London (England) -- Description and travel
In spite of this lamentable coarseness, my noble sergeant, give me thy
hand as nature made it! A great, and famous, and noble handiwork I have
seen here. Not the greatest picture in the world--not a work of the
highest genius--but a performance so great, various, and admirable,
so shrewd of humor, so wise of observation, so honest and complete of
expression, that to have seen it has been a delight, and to remember
it will be a pleasure for days to come. Well done, Bartholomeus Vander
Helst! Brave, meritorious, victorious, happy Bartholomew, to whom it has
been given to produce a masterpiece!
May I take off my hat and pay a respectful compliment to Jan Steen,
Esq.? He is a glorious composer. His humor is as frank as Fielding's.
Look at his own figure sitting in the window-sill yonder, and roaring
with laughter! What a twinkle in the eyes! what a mouth it is for a
song, or a joke, or a noggin! I think the composition in some of Jan's
pictures amounts to the sublime, and look at them with the same delight
and admiration which I have felt before works of the very highest style.
This gallery is admirable--and the city in which the gallery is, is
perhaps even more wonderful and curious to behold than the gallery.
The first landing at Calais (or, I suppose, on any foreign shore)--the
first sight of an Eastern city--the first view of Venice--and this
of Amsterdam, are among the delightful shocks which I have had as a
traveller. Amsterdam is as good as Venice, with a superadded humor and
grotesqueness, which gives the sight-seer the most singular zest and
pleasure. A run through Pekin I could hardly fancy to be more odd,
strange, and yet familiar. This rush, and crowd, and prodigious
vitality; this immense swarm of life; these busy waters, crowding
barges, swinging drawbridges, piled ancient gables, spacious markets
teeming with people; that ever-wonderful Jews' quarter; that dear
old world of painting and the past, yet alive, and throbbing, and
palpable--actual, and yet passing before you swiftly and strangely as a
dream! Of the many journeys of this Roundabout life, that drive through
Amsterdam is to be specially and gratefully remembered. You have never
seen the palace of Amsterdam, my dear sir? Why, there's a marble hall in
that palace that will frighten you as much as any hall in Vathek, or a
nightmare. At one end of that old, cold, glassy, glittering, ghostly,
marble hall there stands a throne, on which a white marble king ought to
sit with his white legs gleaming down into the white marble below, and
his white eyes looking at a great white marble Atlas, who bears on his
icy shoulders a blue globe as big as the full moon. If he were not a
genie, and enchanted, and with a strength altogether hyperatlantean, he
would drop the moon with a shriek on to the white marble floor, and it
would splitter into perdition. And the palace would rock, and heave,
and tumble; and the waters would rise, rise, rise; and the gables
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account