English essays -- 19th century; Great Britain -- Social life and customs; London (England) -- Description and travel
Some day our spirits may be permitted to walk in galleries of fancies
more wondrous and beautiful than any achieved works which at present we
see, and our minds to behold and delight in masterpieces which poets'
and artists' minds have fathered and conceived only.
With a feeling much akin to that with which I looked upon the
friend's--the admirable artist's--unfinished work, I can fancy many
readers turning to the last pages which were traced by Charlotte
Bronte's hand. Of the multitude that have read her books, who has not
known and deplored the tragedy of her family, her own most sad and
untimely fate? Which of her readers has not become her friend? Who that
has known her books has not admired the artist's noble English, the
burning love of truth, the bravery, the simplicity, the indignation at
wrong, the eager sympathy, the pious love and reverence, the passionate
honor, so to speak, of the woman? What a story is that of that family
of poets in their solitude yonder on the gloomy northern moors! At nine
o'clock at night, Mrs. Gaskell tells, after evening prayers, when their
guardian and relative had gone to bed, the three poetesses--the three
maidens, Charlotte, and Emily, and Anne--Charlotte being the “motherly
friend and guardian to the other two”--“began, like restless wild
animals, to pace up and down their parlor, 'making out' their wonderful
stories, talking over plans and projects, and thoughts of what was to be
their future life.”
One evening, at the close of 1854, as Charlotte Nicholls sat with her
husband by the fire, listening to the howling of the wind about the
house, she suddenly said to her husband, “If you had not been with me,
I must have been writing now.” She then ran up stairs, and brought down,
and read aloud, the beginning of a new tale. When she had finished,
her husband remarked, “The critics will accuse you of repetition.” She
replied, “Oh! I shall alter that. I always begin two or three times
before I can please myself.” But it was not to be. The trembling
little hand was to write no more. The heart newly awakened to love and
happiness, and throbbing with maternal hope, was soon to cease to beat;
that intrepid outspeaker and champion of truth, that eager, impetuous
redresser of wrong, was to be called out of the world's fight and
struggle, to lay down the shining arms, and to be removed to a sphere
where even a noble indignation cor ulterius nequit lacerare, and where
truth complete, and right triumphant, no longer need to wage war.
Public-domain text, read in full here on John Shaqi.
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