The many conditions of intellectual productiveness are still hidden in
such profound obscurity that we are unable to explain why a period of
stormy moral agitation seems to be in certain natures the
indispensable antecedent of their highest creative effort. Byron is
one instance, and Rousseau is another, in which the current of
stimulating force made this rapid way from the lower to the higher
parts of character, and only expended itself after having traversed
the whole range of emotion and faculty, from their meanest, most
realistic, most personal forms of exercise, up to the summit of what
is lofty and ideal. No man was ever involved in such an odious
complication of moral maladies as beset Rousseau in the winter of
1758. Yet within three years of this miserable epoch he had completed
not only the New Heloïsa, which is the monument of his fall, but the
Social Contract, which was the most influential, and Emilius, which
was perhaps the most elevated and spiritual, of all the productions of
the prolific genius of France in the eighteenth century. A poor
light-hearted Marmontel thought that the secret of Rousseau's success
lay in the circumstance that he began to write late, and it is true
that no other author, so considerable as Rousseau, waited until the
age of fifty for the full vigour of his inspiration. No tale of years,
however, could have ripened such fruit without native strength and
incommunicable savour. Nor can the mechanical movement of those better
ordered characters which keep the balance of the world even, impart to
literature that peculiar quality, peculiar but not the finest, that
comes from experience of the black unlighted abysses of the soul.
The period of actual production was externally calm. The New Heloïsa
was completed in 1759, and published in 1761. The Social Contract was
published in the spring of 1762, and Emilius a few weeks later.
Throughout this period Rousseau was, for the last time in his life, at
peace with most of his fellows. Though he never relented from his
antipathy to the Holbachians, for the time it slumbered, until a more
real and serious persecution than any which he imputed to them,
transformed his antipathy into a gloomy frenzy.
Public-domain text, read in full here on John Shaqi.
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