The royal house at Dunfermline, according to the chronicle, was surrounded by a dense forest and guarded by immense cliffs. The latter particular, however, it is difficult to accept, for the dell in which the ruins of the mediaeval palace (a building much more recent, it is needless to say, than that of Malcolm) still stand, though picturesque in its acclivities and precipices, is as far as possible from including any cliffs that could be called immense. The young Queen made a great change in the internal arrangements of what was no doubt a grim stronghold enough, soft as was the country around. Probably the absence of decoration and ornament struck her painfully, accustomed as she was to palaces of a very different kind--for almost the first thing we hear in the contemporary history written by her confessor Theodoric, afterwards a monk at Durham, is of the workshops and rooms for embroidery and all the arts which were established in Dunfermline, presumably in the palace itself under Margaret's own eye, for the beautifying of the great church which she founded there, and also no doubt for her own house. Certain women of good birth were judged worthy to share the Queen's work, and lived with her, it would seem, in a kind of seclusion, seeing only such chosen visitors as Margaret brought with her to cheer their labours, and forswearing all idle talk and frivolity. The Queen had such austerity mingled with her graciousness and such grace with her severity, says her monkish biographer, loving an antithesis, that all feared and respected her presence. "Her life was full of moderation and gentleness, her speech contained the very salt of wisdom; even her silence was full of good thoughts."