Where I have not specifically mentioned otherwise, the books described in
the following pages are in the British Museum. They should be to the
English people especially interesting, for not only are they national
property, but any of them can be seen with little trouble, and a
considerable number are actually exhibited in the binding show-cases in
the King's Library, or in the Grenville Library.
CHAPTER I
HENRY I.--EDWARD VI.--HENRY VII.--HENRY VIII.--KATHARINE OF ARRAGON--ANNE
BOLEYN--MARGARET TUDOR--MARY TUDOR--KATHARINE PARR
The rulers of England and of France have, ever since the introduction of
printing into Europe, been great patrons of books, and moreover have by
their individual tastes, both literary and artistic, largely influenced
the styles of bookbinding prevalent during their reigns.
In England from the time of Henry VII. onwards, and in France from Louis
XII., a noble series of royal bookbindings exists at the present time, and
may be considered with justice to be typical of the best work done at the
different periods. Although there are a few great binders who do not
appear, as far as is at present known, to have worked for royalty, there
is no doubt that most of the great masters of this most fascinating art
were at some time or other privileged to work for the sovereign houses of
their time, if indeed they were not actually royal binders.
Before printing was introduced into England in the fifteenth century by
William Caxton, there is little or no record of any special collection of
books made by any English sovereign. It is possible no such collection
ever was made, but if it were, all trace and record of it is now lost.
Rich mediæval bindings of a decorative character, such as are not uncommon
in other countries, are unknown in England, and it is supposed that, for
the sake of the valuable metal and gems which were commonly used on such
bindings, they were destroyed under the early Tudor kings. At the same
time, it seems unlikely that Henry VIII. or Edward VI. would have pulled
to pieces any fine bindings, if they had already formed part of a royal
library.
It is difficult in the case of antiquities, the full record of which is
not forthcoming, to be sure of statements which may be made concerning
them; but so many antiquaries and men of mark have already borne testimony
at all events to the probable truth of the legend that the coronation book
of Henry I. still exists, that I feel any record of English royal
bookbindings would be imperfect, not only without mention of it, but even
without a detailed description. I think, however, that without exception
every other book I shall describe or mention has upon it, or in it, some
absolute mark of royal ownership, but on the other hand they are all much
later. Indeed, as far as I know, no book of the twelfth century has any
mark of ownership upon it, although the makers' name does rarely occur.
Public-domain text, read in full here on John Shaqi.
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