Here follows a description of Klaus Heinrich's mode of life and profession and their peculiarities. On a typical occasion he stepped out of his carriage, walked with cloak thrown back down a short passage through cheering crowds over a pavement which was covered with red carpet, through a laurel-decked house-door, over which an awning had been erected, up a staircase flanked by pairs of candle-bearing footmen.... He was on his way to a festival dinner, covered to his hips with orders, the fringed epaulettes of a major on his narrow shoulders, and was followed by his suite along the Gothic corridor of the town hall. Two servants hurried in front of him and quickly opened an old window which rattled in its lead fastenings; for down below in the market-place stood the people, wedged together head to head, an oblique tract of upturned faces, dimly illuminated by smoky torchlight. They cheered and sang, and he stood at the open window and bowed, displayed himself to the general enthusiasm for a while and nodded his thanks. There was nothing really everyday, nor was there anything really actual, about his life; it consisted of a succession of moments of enthusiasm. Wherever he went there was holiday, there the people were transfigured and glorified, there the grey work-a-day world cleared up and became poetry. The starveling became a sleek man, the hovel a homely cottage, dirty gutter-children changed into chaste little maidens and boys in Sunday clothes, their hair plastered with water, a poem on their lips, and the perspiring citizen in frock-coat and top-hat was moved to emotion by the consciousness of his own worth. But not only he, Klaus Heinrich, saw the world in this light, but it saw itself too, as long as his presence lasted. A strange unreality and speciousness prevailed in places where he exercised his calling; a symmetrical, transitory window-dressing, an artificial and inspiring disguising of the reality by pasteboard and gilded wood, by garlands, lamps, draperies, and bunting, was conjured up for one fair hour, and he himself stood in the centre of the show on a carpet, which covered the bare ground, between masts painted in two colours, round which garlands twined--stood with heels together in the odour of varnish and fir-branches, and smiled with his left hand planted on his hip.