It is difficult to determine just how garden _broderies_ came into being. They may have been indirectly due to woman's love of embroidery and the garden alike. The making of these garden _broderies_ was a highly cultivated art. Pierre Vallet, embroiderer to Henri IV, created much in his line of distinction and note, and acquired an extensive clientele for his flowers and models. Often these gardens, with their _parterres_ and _broderies_ were mere additions to an already existing architectural scheme, but with respect to the gardens of the Luxembourg and Saint Germain-en-Laye they came into being with the edifices themselves, or at least those portions which they were supposed to embellish. Harmony was then first struck between the works of the horticulturist--the garden-maker--and those of the architect--the builder in stone and wood. This was the prelude to those majestic ensembles of which Le Notre was to be the composer. Of the celebrated French palace and chateau gardens which are not centered upon the actual edifices with which they are more or less intimately connected, but are distinct and apart from the gardens which in most cases actually surround a dwelling, may be mentioned those of Montargis, Saint Germain, Amboise, Villers-Cotterets and Fontainebleau. These are rather parks, like the "home-parks," so called, in England, which, while adjuncts to the dwellings, are complete in themselves and are possessed of a separate identity, or reason for being. Chiefly these, and indeed most French gardens of the same epoch, differ greatly from contemporary works in Italy in that the latter were often built and terraced up and down the hillsides, whereas the French garden was laid out, in the majority of instances, on the level, though each made use of interpolated architectural accessories such as balustrades, statuary, fountains, etc. Mollet was one of the most famous gardeners of the time of Louis XIV. He was the gardener of the Duc d'Aumale, who built the gardens of the Chateau d'Anet while it was occupied by Diane de Poitiers, and for their time they were considered the most celebrated in France for their upkeep and the profusion and variety of their flowers. This was the highest development of the French garden up to this time.