Royal Palaces and Parks of FranceMansfield, M. F. (Milburg Francisco)
History
Royal Palaces and Parks of France
Mansfield, M. F. (Milburg Francisco)
Architecture -- France; Landscape architecture -- France; Palaces -- France; Parks -- France
The heroines of the Fronde, and the generation which followed, seemed to
lose interest in this form of sport, and gave their favour to packs of
hounds, and followed with equal interest the hunt for deer, wolves,
boars, foxes and hares as they were tracked through forests and over
arid wastes.
The old hunting horn, the winding horn of romance, still exists at the
hunts of France, a relic of the days of Louis XIV. It sounds the
conventional comings and goings of the huntsmen in the same classic
phraseology as of old--the _lancer_, the _bien allee_, the _vue_, the
_changement de foret_, the _accompagne_, the _bat l'eau_, the _hallali
par terre_, and the _curee_.
The "_Curee aux Flambeaux_" was one of the most picturesque ceremonies
connected with the royal hunt in France. It began in the gallant days,
and lived even until the time of the Second Empire.
[Illustration: _A "Curee aux Flambeaux"_]
The _curee_, that is the giving up to the hounds the remains of an
animal slain in chase, does not always take place at night, but when
it does the torches play the part of impressive and picturesque
accessories. When a _curee_ takes place at the spot where the animal is
actually killed the French sporting term for the ceremony is "_force et
abattu_." This, however, is usually preceded by another called "_le
pied_," which consists in cutting off one of the feet of the dead animal
and offering it to the person in whose honor the hunt was held.
When the _curee_ takes place by torchlight the body of the animal is
carried beneath the windows of the chateau, a circle is formed by the
"_piqueurs_," or head hunters, and all who have participated in the
pursuit; and, to the sound of a trumpet, loaned by the sportsmen, one of
the _valets de venerie_ cuts up the stag. The _meutes_, that is to say,
the hounds which are let slip last of all, and which terminates the
chase--are then brought by the _valet des chiens_, who has great
difficulty in keeping them from breaking loose. When the entrails have
been cut away the valet sits astride the animal, holding up the _nappe_,
or head and neck, shaking it at the already furious hounds. It is the
care of the valet during this interval to conceal the pieces of flesh
which are still under the body. The hounds are then loosened, but are
kept within bounds by the whips of the _piqueurs_ and the _valet des
chiens_. When the dogs are sufficiently exasperated the brutes are
allowed to rush upon the remains of their victim; only, however, to be
driven back again by whipping. When their docility has thus been proven
the definite signal, "_lachez tout_," is given, and the hounds rush
towards the stag.
The _curee_ then presents a savage spectacle: the air is filled with
growling, barking and yelling, while the ground is covered with
scrambling dogs, their mouths reeking with blood.
Public-domain text, read in full here on John Shaqi.
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