Royal Winchester: Wanderings in and about the Ancient Capital of EnglandL'Estrange, A. G. K. (Alfred Guy Kingan)
History
Royal Winchester: Wanderings in and about the Ancient Capital of England
L'Estrange, A. G. K. (Alfred Guy Kingan)
Winchester (England) -- Description and travel
Just before me stands an old oak settle, perhaps nearly coeval with
the transept. How many generations of monks have sat on it and warmed
their withered hands over a pan of charcoal! I could almost imagine
that on certain days their ghosts may perambulate their old haunts,
and seat themselves here again. In the centre of the transept lies
Bishop Wilberforce. On the east side is Prior Silkstede’s Chapel, as
it is called. It is now a vestry, and here Isaak Walton is literally
trodden under foot. In answer to my inquiries, the verger pulled up
the matting and showed his slab inscribed with Bishop Ken’s[77] verses.
They are not worthy of the author of the morning and evening hymns.
They inform us that he lived--
“Full ninety years and past
But now he hath begun
That which will ne’er be done.
Crowned with eternal Blisse
We wish our souls with his.”
Isaak was an erect, hale old man to the last. He was a theologian, and
we hear that to atone for long neglect, a statue to him is about to be
placed on the screen, beside the saintly Fishermen.
“I wish that Andrews, Bishop of Winchester, had been buried here,”
said Mr. Hertford, “and that we had an epitaph on him by Milton. The
elegiacs he wrote on his death were as beautiful as ‘Lycidas.’”
And now all are ready, and we advance along the aisle behind the choir,
and come in sight of the “presbytery screen,” some arches surmounted by
coffers, which look like small locomotives on a railway viaduct. All
this was the work of Fox, who was bishop in the reigns of the Henrys
(VII. and VIII.). He built the clerestory and vaulting of this part.
We look up at the roof and remark the bosses exhibiting the Tudor arms
and other heraldic emblems dear to Fox; while beyond, in the vaulting
of Bishop Lucy, the devices are more scriptural, including not only
the instruments of the Passion, but the faces of Pilate and his better
half, and Peter’s sword with Malchus’ ear upon it.
The bones of the Saxon kings and bishops buried in the Cathedral, had
been well dried and preserved, having been placed in stone coffins
pierced with holes. Fox piously collected them into these chests, on
which he inscribed the venerated names of their owners.[78] He hoisted
them up, having great confidence in the safety gained by elevation, and
his trust was justified, with regard to his window in the gable and his
statue above it, but in respect of these chests, he did not rightly
measure the height to which mob violence might attain. After the storm
had passed away, the bones were collected and replaced, but no one knew
what remains were stored in any particular chest. A small set of bones
has been thought to have belonged to Queen Emma. There are twelve
names, and as late as 1845, the confused contents were all safe; but by
1873, one of the twelve skulls was gone.
“Purloined, perchance, by some over-zealous phrenologist, whose
principles were not more sound than his theories,” said Mr. Hertford.
Public-domain text, read in full here on John Shaqi.
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