Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo EmersonOmar Khayyam
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Rubáiyát of Omar Khayyám, and Salámán and Absál: Together with a Life of Edward Fitzgerald and an Essay on Persian Poetry by Ralph Waldo Emerson
Omar Khayyam
Persian poetry -- Translations into English
So through the Day—so through another still—
The Day became a Seventh—the Seventh a Moon—
The Moon a Year—while they rejoiced together,
Thinking their pleasure never was to end.
But rolling Heaven whisper'd from his Ambush,
"So in my License is it not set down.
Ah for the sweet Societies I make
At Morning and before the Nightfall break;
Ah for the Bliss that with the Setting Sun
I mix, and, with his Rising, all is done!"
Into Bagdad came a hungry
Arab—after many days of waiting
In to the Khalífah's Supper
Push'd, and got before a Pasty
Luscious as the Lip of Beauty,
Or the Tongue of Eloquence.
Soon as seen, Indecent Hunger
Seizes up and swallows down;
Then his mouth undaunted wiping—
"Oh Khalífah, hear me Swear,
Not of any other Pasty
Than of Thine to sup or dine."
The Khalífah laugh'd and answer'd;
"Fool; who thinkest to determine
What is in the Hands of Fate—
Take and thrust him from the Gate!"
XIII.
While a Full Year was counted by the Moon,
Salámán and Absál rejoiced together,
And for so long he stood not in the face
Of Sage or Shah, and their bereavéd Hearts
Were torn in twain with the Desire of Him.
They question'd those about him, and from them
Heard something; then Himself in Presence summon'd,
And, subtly sifting on all sides, so plied
Interrogation till it hit the Mark,
And all the Truth was told. Then Sage and Shah
Struck out with Hand and Foot in his Redress.
And First with Reason, which is also Best;
Reason that rights the Retrograde—completes
The Imperfect—Reason that unties the Knot:
For Reason is the Fountain from of old
From which the Prophets drew, and none beside.
Who boasts of other Inspiration lies—
There are no other Prophets than The Wise.
XIV.
Public-domain text, read in full here on John Shaqi.
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