Rubáiyát of Omar Khayyam, Rendered into English VerseOmar Khayyam
GeneralSufism
Rubáiyát of Omar Khayyam, Rendered into English Verse
Omar Khayyam
Persian poetry -- Translations into English
I must say that I, for one, never wholly believed in the mysticism of
Háfiz. It does not appear there was any danger in holding and singing
Súfi Pantheism, so long as the Poet made his Salaam to Mohammed at the
beginning and end of his Song. Under such conditions Jeláluddín, Jámí,
Attár, and others sang; using Wine and Beauty indeed as Images to
illustrate, not as a Mask to hide, the Divinity they were celebrating.
Perhaps some Allegory less liable to mistake or abuse had been better
among so inflammable a People: much more so when, as some think with
Háfiz and Omar, the abstract is not only likened to, but identified
with, the sensual Image; hazardous, if not to the Devotee himself, yet
to his weaker Brethren; and worse for the Profane in proportion as the
Devotion of the Initiated grew warmer. And all for what? To be
tantalized with Images of sensual enjoyment which must be renounced if
one would approximate a God, who, according to the Doctrine, _is_
Sensual Matter as well as Spirit, and into whose Universe one expects
unconsciously to merge after Death, without hope of any posthumous
Beatitude in another world to compensate for all one's self-denial in
this. Lucretius' blind Divinity certainly merited, and probably got, as
much self-sacrifice as this of the Súfi; and the burden of Omar's
Song--if not "Let us eat"--is assuredly--"Let us drink, for To-morrow we
die!" And if Háfiz meant quite otherwise by a similar language, he
surely miscalculated when he devoted his Life and Genius to so equivocal
a Psalmody as, from his Day to this, has been said and sung by any
rather than Spiritual Worshipers.
However, as there is some traditional presumption, and certainly the
opinion of some learned men, in favor of Omar's being a Súfi--and even
something of a Saint--those who please may so interpret his Wine and
Cup-bearer. On the other hand, as there is far more historical certainty
of his being a Philosopher, of scientific Insight and Ability far beyond
that of the Age and Country he lived in; of such moderate worldly
Ambition as becomes a Philosopher, and such moderate wants as rarely
satisfy a Debauchee; other readers may be content to believe with me
that, while the Wine Omar celebrates is simply the Juice of the Grape,
he bragged more than he drank of it, in very defiance perhaps of that
Spiritual Wine which left its Votaries sunk in Hypocrisy or Disgust.
[Illustration: QUATRAIN I p. 41
[_First Edition of the Translation_]
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultán's Turret in a Noose of Light.]
[Illustration: QUATRAIN XI p. 46
[_First Edition of the Translation_]
Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse--and Thou
Beside me singing in the Wilderness--
And Wilderness is Paradise enow.]
Public-domain text, read in full here on John Shaqi.
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